Saturday, December 30, 2006

Free Pirates Of The Caribbean On Alto Saxaphone

Memory in the countries and many.

ARTURO ALAPE
Cali, November 3, 1938 - Bogotá, October 7, 2006
REPORTS AND PUBLICATIONS
in "the country" and the magazine "Number"

IN THE COUNTRY, December 29, 2006 Offprint
"Nostalgia 2006" p. C-3

Click on images to enlarge.

Text:

THE twentieth century chronicler.
OCTOBER 7
Arturo Alape has been recorded in the history of Colombia, for the vast legacy he left to devote to depict in his book versions of Colombian history of the twentieth century, many of them hidden both discover that risked his own life. Although born in Cali
his life turned to a passion for discovering what happened in Bogota on April 9, 1948, in the hours that followed the assassination of Liberal leader Jorge Eliecer Gaitan.
'The Bogotazo', the fruit of his research book on the subject, put it in the forefront of the lyrics, the historical study and even national political reality.
later became Colombia's most know for the life of Manuel Marulanda Velez, 'Sureshot', the guerrilla fighter who founded and still commanding the bloody guerrilla group FARC. Alape drew the most complete biography of known subversive.
In his last work published during his lifetime, 'The corpse unburied'; Alape returned to the theme of bipartisan violence during the Twentieth Century.
This latest work, reported after his release, he worked more than three decades.
had desires to complete before the leukemia was winning the battle, to fulfill a promise to the court reporter Philip Toledo one of his best and closest friends. Although Arturo Alape
is the name that you knew the country, its true is Carlos Arturo Ruiz.
His final fight against leukemia took a full decade.
lost the battle on Saturday October 7 at 11:00 pm ., One week after being admitted to the Clinic Corpas Jorge Oliveros, in northern Bogota. As he wished, only close friends and family gave him a last farewell. ARTURO

ALAPE
Real Name: Carlos Arturo Ruiz
birth: Cali, 1938
Death: Bogotá, October 7, 2006
Affiliation Politics: She was active in the Communist Youth
Books published: 'The Lives of Pedro Antonio Marín, Manuel Marulanda Velez ("Tirotijo') ',' The Bogotazo ',' Memories of Oblivion ',' Diary of a Guerrilla ',' The unburied corpse, "among others.

--- Expanding the photo published in EL PAIS
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PUBLICATION IN THE JOURNAL "NUMBER" No. 51, Dec. 2006


TRACES OF DEATH ON THE BACK
http://www.revistanumero.com/51/huella.html

This text, one of the last written by the artist Arturo Alape, recently deceased, is a gripping chronicle of the life of a man committed to his time and with a sense of social existence. Testimony of an era, of a generation.

recently participated in a conversation with a group of young people from Sons and Daughters, an organization that seeks to rescue the history of their parents missing or killed during the dirty war against militants and leaders of the Patriotic Union (UP), in the end, approached a girl of 22 years and I said:
"I am delighted to meet you. I am the niece of Hernando Gonzalez. Three years ago my grandmother told me about the death of my uncle Hernando. What happened was kept secret for security family. Now I know you. I would like to tell me the story of what happened ...». The foundation of my memory is moved. Maybe tonight, before you count aloud the passage intense experiential Hernando Gonzalez, its history, our history.
That night I went back to my memories to Havana in the years of my first exile between 1987 and 1990. I remember the conversation I had an afternoon with Juan Gelman, the great Argentine poet, twelve years of exile to his country slopes:
"I think that is a harsh punishment that the exile. For the Greeks the exile was a harsh punishment worse than death. Do not know if it's exactly like that, but yet you know it and it is feeling ...». His words became images frozen in time of great pain. Leo
the end of his beautiful poem "Open Letter" in which the poet addresses her missing son:
"deshijándote much / desuckering / or are looking for you for your suavera / step father only you / to the secret voice weave / ', speaks in his poem which will check their deaths, the day only to find "their bodies ...». His son, his daughter; news of his granddaughter is alive and that makes family life with parents forged by the military dictatorship.
At this very moment, in Havana, the memories are accurate news images weeded random time lost in the mists of memory. In the distance I glimpse the bloody mountain in the river float hundreds of bodies: work at Casa de las Americas, received news of death to increase the amount of murders of my friends and comrades of the Patriotic Union.
In a Saturday afternoon at the home of Millet, argue with Manuel Cepeda Vargas, member of the Communist Party leadership, a tough and bitter partisan debate. Asked Manuel with full frankness: "Why did the party does not preserve your pictures? In Colombia, they are killing everyone in the trap of the dirty war ...». He said as he used to in the meetings of the leadership of the Communist Youth (JUCO), with conviction in his word for absolute truth: "The game is not exiled ...». I felt, I confess, guilty for my exile ...
Months after that discussion with Manuel Cepeda Vargas arrived in Havana Bernardo Jaramillo, seeking a temporary shelter for their existence. In the late eighties was the most hunted man in the country, for political reasons. With Bernardo talked many times with the speed of premonitions. It was a spirited unstoppable when he spoke. I wrote at the time to Prensa Latina and I did a long interview, now I can not explain why he never published it. As a farewell, at the end of my questions, he reiterated with a wisdom that bordered on cruelty, "Return to Colombia to kill me ...». That said, that I heard. Three months after a young gunman shot him in the Eldorado airport in Bogota. When I returned to the country in 1991 after nearly four years in exile in Havana, I saw on the television archives, to the astonishment deeply painful images of the gunman, 17 years old when he shot at Bernardo Jaramillo: his body bent in an attitude of defense, then the camera would show him as he lay lifeless on the floor. Then the camera would focus the young gunman when he jumped on the body of Bernard, intoxicated by a devilish joy. In his luminous eyes expressed the feeling for the work. He was a professional death had complied with the order given. To try to explain the pain I feel today for the death of many close friends, very slowly reread a text of introduction to one of the chapters I wrote in my book peace, violence: witnesses for exceptions, the sixties:
"They were the years of the most beautiful human tension, when man leaves the individual selfishness and offers everything for a possibly distant ideal. Perhaps we are talking right now on behalf of survivors and in doing so we express a deep feeling of pain in his back. It is a nightmare story that follows. It's just a blink of an eye. Is a sense of urgency inside. Talking about death often brings a sense of guilt. It's true. But we are more aware than ever that this illusion that began in the sixties has not lapsed, and continue to breathe fully, no matter what the years come, come and give us a farewell forever. There are men who complete their convictions to thirty years. "
write or narrate what is on behalf of survivors. The fifties me footprints left on the skin like rubber tree bark. Snapshots that still remain in memory and run free I remember the afternoon of 9 April. A man riding his bike reaches the tenement where he lived as a child, gets out and enters the first courtyard. When I look back, he yelled: "You bloody shirt ...». Man, listen, you faint with terror. For half an hour on his bicycle had been shot in the back. I saw for the first time, back in the country. Another memory of youth was one morning at 1:05, the awful sound I raised a meter above bed, as if the strength of twenty men had raised me, I knew moments after news of the radio had broken seven trucks loaded with dynamite, opposite the train station. They were military trucks. Terrible oversight of the dictatorship of Rojas Pinilla. The dead, transients flophouse, cafes, cinemas and houses of prostitution, amounted to two thousand. Hundreds of bodies disappeared in the air like atoms. Now go around the images in hundreds of photographs that I keep in my files: a group of men throwing bodies into a huge common grave in the photographs men, women and children are rolled into tears in the most terrible desolation May 10, Rojas dictatorship falls, turns the city of Cali to the streets literally celebrating the event. The trucks seem crowded tanks. The euphoria is transmuted into anger of the crowd, who directs his hatred of many houses barricaded home to so called "birds," henchmen of the regime. Desencuevan One by one, they take them out to the streets, lynched.
remember the twisted face of "Caracolina 'ointments vendor Valley markets," bird "and a murderer at night in the city, when a group of men to force him out into the street, drag him by the arms and the crowd will hate your body kicks, turns around the block, "Caracolina" cries for his life, cowardice arises from the eyes, is helpless, no weapons in hand, another group of men out of the house a wooden chest, open it and throw away a fortune on air tickets, the crowd calls to burn the money, the men set the fire and shouting the slogan "Down with dictatorship, we are free!" tickets are devoured by the flames, when the small crowd goes around the block with the body " Caracolina ', man had ceased to exist by the terrible beating.
Year 59: Cali comes news of the slaughter of 17 people in the towns of Darien and Restrepo. Among the dead, spoke of two students from Cali. The killings had the work of a group of "birds" still went loose, flying and killing defenseless civilians. Barberena Alfonso, leader of the homeless, Cali brings the corpses and the Casa del Pueblo, located in San Nicolas, offers a tribute to the victims. I was studying painting at the Institute of Popular Culture, and at night, they took the bodies from the coffins and a man and a woman, dressed in white, began to prepare them to hold off until the next day when there would be a manifestation protest. The man opened with pliers the mouths of the dead and the mother stuffed lime: I, feverish, drawing in a notebook every moment of the scene death pain and collective. The next morning, we left in protest with the 17 coffins, heading towards the Central Cemetery. The first race was packed with policemen armed with rifles. Family members ask students to bring their children to the Cathedral, but the police prevented the remaining bodies are veiled there, then would come the unusual: one in the afternoon, scorching heat, the crowd called step to the bodies of people The police attacks with rifles and bayonets clash of forces between life and death, the police will not budge, the crowd either, so people open and half are in a long line facing the Hermitage, the 17 coffins; the right side, the offices of the National Intelligence Service (SIC), on the left, the Teatro Avenida. Rampant and sickening smell of death takes over the streets of Cali. My eyes of a young child and saw it all in the dark decade of the fifties in the city of longing and dreams.
The sixties were for us, those who had experienced violence-stage party that apparently was caught in the nets of oblivion, the beginning of a beautiful illusion that everything would change in Colombia: the dream of revolution. We were of the stature of the dreamers who throw look forward to transform the world. However, for build that dream we should transform ourselves, ignoring the essence of individualism that both the existence and begin gnawing to verbalize the word of the collective. About us, feel and perceive the self in the bowels of us, ie, the soul of the people. A fierce duel, tear between the existence, the ideas and the action itself in the search for an ideal that would show the voice of conscience of the proletariat. A sense of class. Then began the mouth of militancy in the party rested on the brain delirious strength to speak, think, act on behalf of its principles. A definitive change of skin. The skin was hardening in the frantic daily life in the defense of the party line and fundamentals program. Being a comprehensive picture, responsible, persuasive and combative. Create an ethic that expressed deep those roots of the popular. Maintain high moral revolutionary against the enemy: not break the spirit to the evil force of torture. And what is essential: not outrun the face and the presence of death when the mission was in favor. Life was like a kind of wreath at the altar of death. In that game with fire in the blink of an eye, life changed by death. Dace was impregnated with hypnotism atavistic ad of the messianic. We were the carriers. Death as a promise earthly blood as seed to build future uncertain. After our death, would rise thousands of voices in solidarity.
"Life and death as the man who lives' say Kazantzakis. He also wrote: "My life is a constant shadow evocation ...». Surely he thought of his beautiful novel crucified Christ again, made into a film under the title He who must die. Why he must die? The man was destined to die: "The crowd, drunk with the smell of blood, fell like a beast on the body panting, to join some had bloody lips, the old Ladas bit with his toothless mouth throat and struggled Manolios a tear piece of meat. Panayotaros wiped the knife in her red hair and smeared with blood his mug fierce, shouting: "You've torn my heart, Manolios, I've killed. I am avenged! ". On behalf of Christ, the mobs had killed whom they called the Bolshevik ... "The pope Fotis reached out and gently stroked her face slowly and Manolios. "Dear Manolios, you may have given your life in vain," he muttered. I have killed you for taking on our sins, thou hast said, and cried, "I who robbed me who has killed and who has been burned, I, and nobody else and everything to ...!", that leave us us take root in this land ... In vain, dear Manolios, in vain, I've sacrificed ...».
Perhaps in the sixties we were too idealistic and did not find suitable ways to give a picture and make that dream a reality. But it was the awakening of the dawn of a youth who was carrying something very deep that craved and desired as human achievement.
That illusion was closely tied to two events that were definitive. One, that we were witnessing, it fell on me in California, an extraordinary rise of militant mass that had silenced because of official violence in cities. It was a great strike wave of workers Croydon, the first hunger strike in recent decades, "the unions Manuelita of Riopaila, the Guarantee, the newspaper Rapporteur progress Cali Palmira sugar. Similarly, urban movements by the land invasions were visualized on the people who came fleeing from the Cordillera Occidental by the violence and sought shelter in Cali for their lives. The magnitude of social events made us change in attitude and become political agitators of that process.
The other fact was the epic of the Sierra Maestra, who walked with joy by all our experience America as the triumph of the revolution and flying in the face bearded Fidel Camilo, Che. It began then, with all agitation among us, the discussion of whether it was possible to repeat that experience in Colombia, because we come from a tradition of guerrilla warfare, of course, very wide in the Llanos Orientales in the south of Tolima, northeastern Antioquia.
Those who believed that the decisive moment had arrived, there were those who thought that all the conditions to achieve this objective through the arms, began to lay down their lives in a fleeting time, beating well as our deepest longings, because we feel that the best of us are going in the blood that was spilling friend.
One day we received the news of the death of Antonio Larrota, while trying to redeem social and ideologically to a group of bandits to organize a guerrilla war with them and they took it away for five thousand dollars. Antonio was a natural leader, the masses in any public place succumbed to hear his voice. Another day we arrived with the news that the sides of Turbo we had been the life of Leonel Brand and next to him, his partner Gleydis Pineda. We both left without saying goodbye is always someone gets used to decide the permanent absence. Many readings of Neruda, Vallejo and Miguel Hernández, Leonel near the hill of San Antonio. Both speak movingly of the Impressionists and search anxiety the face of Van Gogh. Leonel came from the depths of what they call social darkness and had raised his voice as a poet to become a formidable player in the Library Bonar, where he worked in Cali. Another day, I heard the news in Bogota, came the announcement of the death of Federico Arango territory in the jungles of Vasquez, who had made a mistake similar to that of Antonio Larrota, to organize a group of men and socially broken. Frederick man in his silence, was getting ready each week and sat in his car to go into the jungle, back to town and work hard in preparing for their dreams. The next day we got the mail with the sad news Garnica Francisco that had broken to death in a military barracks in a town in the Valley. Her body shattered life. Francis was a passionate agitator and organizer of conscience.
in the distance Now we analyze what it meant at that stage the slogan that people in the university should drop out to take to the mountains because the university had to nurture the guerrilla fighters. Thought and by the pressing political environment we lived: the National Front, of historical nature, which excluded other voices than the liberals and conservatives.
National University was a fertile seedbed tables should go to the mountain: Julio Cesar Cortes Armando Correa, Hermia Ruiz finished shot by the commanders Vásquez Castaño, ELN, and ideological problems.
One day was Camilo Torres, smiling with her figure, her eyes of good people and a blind faith in his words, and as a biblical prophet in his last farewell left town to go to that mysterious mole is the forest. A few days ago we were reading his paper, will, in the country explaining the reason for his decision. Today we remember as echoes
known names Marquetalia, Riochiquito, Pato, Guayabero, which in turn sparked a supportive environment, and a few times in that time, the guerrilla movement had wide audience in cities and areas worldwide. The country is listening to us, or at least so we thought. Or just heard our voices. Then we had to turn to us, the leaders of the Communist Youth: go to Marquetalia, or any other so-called independent republics, it was an honor of revolutionaries: Hernando Gonzalez broke one day, next day I departed, then march Jaime Bateman. Hernando Gonzalez died in an army ambush in Operation Riochiquito, and Jaime Bateman perish in a plane crash in the jungles of Panama, when he was the commander of the M-19. I am the survivor of the three. I'm alive thanks to a disturbing discussion I had myself, Carare river bottom, mounted on a canoe's harsh living ague, stuck between the power of weapons and the power of words that tell stories, won the power of words and the canoe man I brought in the late sixties to Cali, the city of memory.
But the face of death became urban in the early eighties. Not as much as messianic death, but life with death usually aim to selectively, with the pulse of men adept at looking at the limits of the agony in the man who must die. That death took to the streets of cities with unconcealed arrogance of office who is killing the other. Professionals in office. There was also shot at the other armed and crouched in the forest ready to shoot, but against someone who defended his bulletproof vest with his political thinking: of course I was a helpless being the testicles to the feet and shoulders to the depths of your brain.
Never in the annals of political violence in the country had developed a plan so meticulous and perfect, the accuracy of the culling, day after day, of a political movement based on its leadership, its middle and central management to presidential candidates and the Patriotic Union. Triggered by its strict Machiavellian political-military planning: large-scale mental exercise to physically eliminate a potential political opponent in the arena of discussion of ideas and action of policy proposals, which were beginning to take root deep in popular attitudes. Other policy banks were beginning to open in flight other imaginations. Men were killed, were murdered ideas are plucked in a jiffy a story that was being built and possibly change the pace pachydermal of our recent history: at least it was a distinct air of the stench of decay that has been used our traditional political caste.
were so many accomplices in the slaughter against humanity. The terrible and well-oiled economic machine of drug trafficking and their cleavage in paramilitary self-defense, financial and logistical support to farmers and landowners, the cry of the government of Virgilio Barco, justifying the slaughter of the UP said it was a fight between paras and guerrillas, the brainy academic studies and political scientists today of national security advisers to explain the genocide by the Communist Party's error in applying the combination of the forms of struggle. And perhaps more painful social indifference to many deaths.
What happened to us? Shelter was to hug the helplessness of the public complaint. It responded with fiery words, full of feelings: sum of counting the bodies of members of the UP, statistics deadly, to our astonishment, grew one by one up to a thousand, then two thousand. The data appeared in the press, nothing happened, nothing would stop the deadly onslaught. Finally, death had never made a killing as in the period 1986-1990. It was physical death was the death of the writing of terror.
To survive, resort to black humor. Pardo Leal, with his tousled tic in the right eye, chronicling every day that his life was insured to the testicles. On the street, by the seventh race in Bogota, the friends he saw one the face and then asked, "Do not you killed yourself last week?". Socializing and meeting with friends we did at wakes and in so many dramatic farewell in the Central Cemetery of Bogota. And always the same pain accompanying slogan: "The people united will never be defeated!". But they killed us the best, the cream of our intelligence. They left us orphans so many wonderful men. Then came
exile in Havana. Encounters come Bernardo Jaramillo, Manuel Cepeda, Patricia Ariza, Eduardo Galeano, the poet Juan Gelman, with the whale by Antonio Cisneros, the Peruvian poet. We would talk about life, appoint death and the winds will pull out loud with the joy of living. And in exile come the fall of communism, the defeat, the momentary death of dreams. On my return to the country in 1991, three years later, weep inconsolably at the news of the murder of Senator Manuel Cepeda Vargas. He died in his law of his steadfast refusal to go into exile. His blood as memory is still widespread in the patina of a monument deteriorated and developed by the teacher Edgar Negret. With Manuel Cepeda Vargas we had met in the year 57, when done in Cali the second congress of the National Union of Students. That is, an old friend, despite his stubbornness ideological. In 1958, the sculptor Alfredo Castañeda, a high ridge that gave us after the invasion of the barrio Lleras, installed the monument in honor of students killed in the struggle against the dictatorship of Rojas Pinilla. The monument still stands: the concrete has withstood the deafening hiss of memory that lies between us.
traveled the country on foot, had a long experience in political struggle, participated in armed struggle. I was a communist leader and one day, riding in a canoe, I decided my life in the comings and goings of the written word. Before he had lived among the spaces, color and reading the letters to Theo. I think this rack between life and death has been a long experience I will never regret. I'm not bow to man's own faults and sins of others, and then resigned to living in mold and dust of his own ostracism. I'm not a postmodern Nazarene is whipped to a wide audience on television, access to a vacancy as national security adviser. I am part of a generation that the country offered different expectations from other banks, possibly in the world failed as paradigms, but dreams are still as valid as possible utopias.

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Actulización gra / ntc December 30, 2006



Wednesday, December 27, 2006

Brazilian Waxing Before C Section

December 2006 ASHES OF ARTURO IN CALI ...

DIALOGUE BEYOND THE ABSENCE
"... in Cali, Arturo's ashes to the mountain and the river ..."
The questions go beyond death

From: katia gonzalez [mailto: katiag8@yahoo.es ]
Sent: Tuesday, December 26 of
2006 12:52 am Subject: At

friends Dear friends:

For you, my best wishes for a new year full of pleasant surprises, a lot of happiness, helpful health and professional expectations.

I want to thank the messages of condolence, words of affection, the fraternal hugs, advice and above all for listening.

I want to share with you a piece I wrote, without further attempt to establish a dialogue beyond the absence. felt-the need to prepare a preamble day Thursday, December 28. This day in the company of family members are thrown, in Cali, the ashes of Arthur to the mountain and river, the final destination of the remains. Remember

my house will always be your home, there never have their own corner in the pantry of the forgotten, always remember the stories of those who left us the eternal embrace the river and the mountains.

A big hug for you and the family,

Katia González M.

My signs are: Telephone: 368 2765 or 244 5578 (for now). Mobile: 313-322 3086

cards attached to the message

Arturo Alape
Cali, November 3, 1938 - Bogotá, October 7, 2006 ---

Poems * "Rituals of the asusencia" and "Be of infinite longing" (Katie)
Arturo Alape. 1938 2006
Cali, 28 December 2006
* The text of the poems can be found at
---
The questions go beyond death
By Katia Gonzalez Martinez

Today is Sunday, and as usual, I woke up at 6:00 am at the same time as the dealer deals the newspapers in the garage the building. You woke up sleepy, I hold the covers over me give you a kiss on the forehead, tell me "good morning sweetie" , I answered, "good morning heart", "How did you sleep?". The question I wanted to show my concern for the sleepless nights, evenings and nights when you called to dreams, "my friends, my teammates, the shadow of life" , but they, flighty not clung to you. "Why do not you rest?" you heard when entering the bathroom, I'll pick up the newspaper and coffee. As they prepare

coffee, quickly flip through the newspaper.

When he returned to the room, I find you lying on the back of the bed, nightgown. Recently insisted that that night was suffering from intense heat. I approached the cup of coffee. "Do you have sugar?" , "If my heart." I prefer to savor it without any additional ingredient, much enjoyed that first cup of coffee in the day. Then I ask

the first section and read it quickly, looking anxious news in the same way you used to find the news of the launch of one of your books or an exhibition, a Once I settled into bed, I asked insistently, "What the press published news of my death?".

I get up, I go into the library closet and pulled out a stack of newspapers that have kept from the 9 October. I'll make a recount.

Weather Latest news:

"It was the most renowned biographer Tirofijo. Arturo Alape, the leftist writer who lived many years in exile on account of his writings, died in Bogota at age 67. " The following

extend the note sheet illustrated with a photograph of Claudia Rubio. I remember the warm embrace, without words, we gave her at the funeral home.

In El Colombiano illustrated the story with a photograph, with the characteristic gesture of your hands, expressive hands speak for themselves. Look, the chance: in the photograph appear with black leather jacket, the same that I gave to the funeral. I well remember the day we went to buy the Seven-August, the preferred place to buy leather clothing, especially because you could haggle prices; more than a friend you told "very cheap leather and leather."

El Colombiano, El Nuevo Siglo and El Pais, a press release reproduced loosely into Reality

"After struggling for a decade with leukemia who was suffering, that kept interrupting his research and writing, having to spend weeks internship in hospitals in the nation's capital, died Carlos Arturo Ruiz, known as Arturo Alape. (...) In fact, in order to have the elements needed to keep fighting for his life, was in dire need for help from their colleagues, friends and admirers "

Drink a sip of coffee and I say thoughtfully: "This shows that this exercise is far from a research position at the time of announcing the facts." The

Alma Mater newspaper of the University of Antioquia note titled:

"Arturo Alape left an intellectual heritage will not be easy match. Alape received the recognition that it gave the university community, as the exaltation of a work of nearly forty years, always inspired to uncover the conflicting situation in Colombia and, therefore, provide evidence for their understanding and treatment. "

At this time, the sadness overwhelms us both.

The New Century addresses the news mentioning only your links with Marulanda:

"Alape was regarded as the person who had information on Manuel Marulanda Velez, the leader of the FARC, about whom he wrote several works, the result of personal knowledge he had of "Sureshot" whom he met in his years of militant guerrillas. His membership in leftist movements led him on several occasions to be exiled from the country after threats from right-wing groups, linked to state security agencies, according to allegations made by journalist and writer. "

The news published by El País is illustrated with a photograph of the funeral:

"Farewell to the XXI century chronicler. The weather was really short to cover the immense legacy left by an author who was not part Colombian literary elite, but marked as a writer and historian, a map, which always hoped that new generations continue to acknowledge and explore, not just stay with the official versions. "

The Voice newspaper, Juan Carlos Hurtado, who was your last semester student in the Master of Communication at the Javeriana, recalls his last conversation with you:

"The best tribute to the writer: (...) Some scholars claim that was a researcher Alape walk. Arthur used to tell his students the vicissitudes of the most important processes of their investigations, death threats and persecution he was the victim when he published the first volume of the biography of Manuel Marulanda, and writing the second volume in Cuba, in exile and memory workshops. Always questioned the junction between the academia and the national situation and discussed with the schemes for social research. Alape's work marked a way of investigating and into the conscience of all Colombians. Is an accumulation of historical and literary documents with today is discussed and discussed future generations interested in understanding the national tragedy. Be the best tribute we can pay the writer. "

I ask you to listen the complete reading of the text you typed Low Juan Jose Hoyos, your friend's whereabouts, complicity, of deep affection:

"The friends who gave me the news I wondered if it was communist. Sure, I answered. If it was a guerrilla. Sure, I said. That if he was a friend of Sureshot. Of course, I again say, not only was with him when he founded the FARC, but wrote extensively about their lives and their dreams. These were the most liked to Tirofijo. However, he also told them that, while still young, had left the FARC to devote himself to writing and painting because he thought that was his thing. For some, this was a betrayal. To address the FARC, no: he consulted with them that choice. Paradoxes of life during his final years after returning from exile and having been expelled from Cuba because of political problems, he told his friends: 'The war in Colombia has not produced the new promised land. That was not the disaster of taking the people.
That was not our dream. "
Alape Guerrero also told: 'In the 60 and 70 surveys of the insurgency was justified, because the National Front was exclusive. Camilo Torres came the revolution in Cuba: the dream was to transform the world. Then came the dirty war, drug trafficking, exile and reflection whether messianic death would be correct in 90 or in the present century. Today I do not condone any kind of war: the government or the insurgency.
Our country must be given a rest '.
Most of his generation who went to the bush or they got into politics, were killed. Thus he considered himself a survivor. Of course it was, and fueled by the joy which he lived were his last years. Now life gave him low, as if addressing his plea to the airport police. Farewell, beloved friend. "

always commented news today, the silence overwhelms us, your eyes of "historical grief" I gasp. Love, tell me something ....

I hasten to pick up the newspapers because I heard a shrill whistle through the window of our room. Among the clippings is the note published in Isaiah Peña Cultural Agenda:

"The death of Charles, Arthur, I was impressed, and I was overwhelmed with the terror of knowing that the memories we shared, now divided irreparably. The river can not be returned, is what I feel. And I get the fear. Who will use to ask about things that happened around us? The misfortune of time is the forgetfulness, that he wanted to put coordinates many of his books. "

Meanwhile, Alvaro Castillo says in a note sent by email on October 10:

"Today, Monday, I finally understood that when responding to the question 'How long?" can only say Farewell!. That is, Arturo Alape: I'm not going, we're not going to forget, brother, friend (...)

During these days of absence and sorrow, the deep affection of the friends is what has made me meet today writing this text, deep love, the love that surrounded the last minutes in the hospital room. To them, I wrote the most beautiful tribute. The man in the canoe is a symbol that defines you as a man of intense emotions: "You, you know, those present and those who walk away tonight, are for me the best gift I've received this year cut in exact times for the stations. I also think this emotional moment in my old friends scattered in their niches drawn on the roundness of the earth, including my growing friendship with the arrival of each night and dawn with his breath of life. "

you get out of bed, you change your pajama pants and a jean jacket and black leather jacket. At the door of the building, greets us warmly Joseph goalkeeper, you light up the eyes to see with great affection and says "I see it Don Arturo." We walked to the Park Way, our place of walks, falling in love, TV interviews, meetings with friends and shared many stories with a hazelnut and pistachio ice cream. During the trip, we discuss the change that has suffered the Harlequin Theatre, theater and restaurant now. Immediately recall Hamburg: the Sternchanze, the Kino 5001, the ice cream shops and cafes where pleasant evenings spent with the children, now teenagers.

walked side by side in the bike lane of Park Way. As if seeing a movie, crowded scenes of the past, France and Elena Susana greet us hand from the monument to Padilla, gentle, rhythmic exercises attract our gaze. In front of them suddenly burst Alvaro Mejia, Colombia's the best athlete in the late sixties and early seventies, his white hair contrasts between the green variety of the park. On the street 36, we went back to start another lap until the CAI of Police; we find Giovanni, Kate and Paul face a playful Labrador. A Paul you look at askance and give him a pat on the back, always from afar. Victor hails from his bike with his arms outstretched. I stop to say hello to Giovanni and Cata and I see that look towards the western corner of the street 41, seeking the face of the woman who makes months you unveiled and was a source of conversation: Maria de la Soledad , the character of the novel you're writing.

To Mary we know who live in the neighborhood of La Soledad. Since a few months ago I started talking to her, motivated by the stories in the nights you're tired of counting. I remember one in particular: you lowered down the avenue 39, the usual route after lecturing at the Universidad Javeriana, saw her, she spoke standing on the corner of the race 23 with Calle 44:

"For me, from months ago had become a mysterious figure walking full of unknowns and questions, beautiful in its ugliness and skin weathered by time, in his eyes changing through the lens of some hidden tenderness as a danger lurking, suspicious, angry. I entered the circle of onlookers.

Mary pointed with the index of blame at a man. That figured, I imagined:

"You, if you, the grim look, come and stop in the row" Mary ordered, gentle man was the row in front of her. Mary explosive said

-The tall, thin, do not hide. Come ...- The man became second in line. Mary ordered the third, fourth and fifth arches its come and face it.
- I talk to you, chubby negligent. Find your place ... man with some oversight lined up and smiling staff hobnobbed with his fellow right, with some sarcasm. Mary expatiated some word of command, he looked happy to continue giving orders. Or maybe I counted eleven or twelve orders imagined. Then Mary met them at a distance of one meter and finger almost touching the breast of every one of the men trained in the row.

do not know what was the reaction from the audience. But everyone was like, planted on the cement. Mary, gazing, sunset approached the first man:

"You, if you will. What is your name? Tell your profession. Why do not you answer? Do you fear invaded, became dumb? They realize, is deflating, if deflating ... deflated.

"You say your name. Leave the fear and speak. Same thing happened to the other, began to deflate. Eye, was like a plastic vile.

-not hear his name. Say your vital signs. Ah, hell silent, his eyes bulging. I do not come with a story that also wants to deflate ... Relentless

Mary: vindictive, intolerant because they do not listen to reason. Had unleashed an inner strength as a river overflowed, nothing stopped:

-Ja, ja, ja ... The gentleman wants to talk ... now trembles as if the cold of death it was invading. Tremble muscles, shaking his eyes, the skin is vane sinking into the sea of \u200b\u200bfear. Began to deflate as when the infamy through the city with the edge of the knife ... Deflates, deflated in the eyes, in life ...

I swear I saw eleven men easily deflated terrifying helpless skin covered by the burden of past sins, unable to pronounce words imploring forgiveness. There was a strange atmosphere in the atmosphere of fear that bordered on indecency lines.

Mary then reached down and was deftly doubling as cardboard boxes to the eleven men deflated and then smoothed by hand and placed one on top others, did a lot and got split in two cardboard boxes. Then he got up and returned to his former state of reverie and began to walk barefoot due to the Park Way. All eyes converged on the slow steps. "

I said goodbye to Giovanni and Cata did not want yours to miss a conversation with Mary: After a "How's Mary?" , asked him to break "Mary, do you think of death?:

- "Question complicated, difficult question, right? You ever wonder what. It has been asked that question before the mirror. There is no talk of death aloud. You thought what the last sentence meant by his thought before he died. Nobody wants to ask about your own death, even before their eyes. It's not about earthly prayers put up with an answer, opened the anxiety of a response will always be musically like your ears. Then they will beat their chests. The thought of death is like nausea immediately flourish of the faults. The man is a blood-born seed of guilt. The terrible death, is that never in life one may ask: Why am I alive? Whenever you think about breathing. Death is simply the death of the questions. You wondered what you feel when you can not never again to ask? The answer is simple: death The answer is elementary: The eyes do not turn to look, his mouth will laugh, your hands will not return to play, the ears lose their sense of hearing. The death is to take the walk of life. Everything will disappear, is definitely off the light. Come the void, darkness, air solidified infernal quiet, shaking occasionally, fuzzy line of a long journey in the dark you do not have limits. Who will tell you "Here in the newly drawn line ends his trip. Air, water, heat, sounds, whispers, will As the eyes of the blue: The perpetual solitude, loneliness crucified, to walk without walking. The reality of life will be in the jaws of the imagination as a simple reminder: All records as dead leaves its footprints. It is always a good living. Or maybe a terrible death that will never be forgiven. Happy memories, painful memories, unflappable, maybe whispers never forget. The absence will sound far from your ear. Or what's to come, crash, crash, crash, will the carnage of the photographs, the pain will replace the sharp knife when the solemn reading of the will and distribution of the inheritance. Looks are not compassionate, pitiful, will signal accompanied by the revenge plot. Revenge, hatred and scheming on how to organize the distribution of memories become flesh decaying flesh of death. Even, you know, I've been thinking: what is better to die young children of parents physical or old age? Family members are melted in the twilight of the dark.

know, therefore, croc, croc, croc, leaving nothing as a legacy to my tracks then dismembered earth. Do not know what you think: kill someone after my death, let them waste as a legacy? I guess my plastic glasses will no adornment to other tables, my plastic spoons shall be used by other mouths. Who will want to cover your body with my plastic of many colors? Who will want to imitate my knots and my tissues? I want to say only the mournful farewell: Maria de la Soledad lived and died in the street on the street.
What is your response about death? Do not laugh, do not mortify consciousness, stop hurting your skin, do not flee, sosiéguese, cover with the calm, think, breathe, walk, let your thoughts flow, look, and listen well. Do not speed up the response, saliva and spit out his words slowly. I have the patience to wait for their response. I cover my body with plastic, cardboard and newspapers, then my body acomodaré awaiting the dream and promise not to let my eyes close to the dream, be alert to the footprints of his thoughts. Meanwhile, I'll turn on the TV and see the pictures in my imagination and then turns on the radio to hear the news I want to hear. Do not forget I'm waiting for your voice. Then tell him how I thought my death ... splat, splat, splat ... Let

bloodhound suspicious silence. Are you afraid to talk about his death? Silence frightens the thoughts and shows its teeth sharp. Talk, hit the doubt, let yourself go ..., float in words. Get on a boat, choose your river. His pallor I said that the terror round his thoughts, as if he were attacking a pack of mad dogs, stray, hungry. Do not want to talk, silenced the tongue as men do deflating when you ask them for their vital signs. You, very intelligent questions, want answers, answers. But does not answer my questions. I thought it powerful in the quiet night. In passing, it's cold, do you feel? No talk of dangerous cold breath of death is laughing spraying on its way through the city. It is his job and she is very informal like you, with your questions as wise and intelligent. Eat your silence, but please do not choke. Do not go throwing your life. Hopefully not teeth will fall by terror. Let the blood for another day. Hide the pallor that overwhelms him.

You left me in suspense sinful. However, crash, crash, crash, I'm not laughing, I will tell you just how I imagine my death and what is my desire at the moment someone has a generous desire to bury:

endlessly in this wilderness when I walk the streets of La Soledad, I give myself time to talk to death. I talk to her without fear, without chills smelly. Even, I lend my voice to speak with my voice. I listen to discover their intentions. She is always measuring his time as if it were unavoidable commitments to be met. I listen to the calm of someone who knows that a day will die. We talk endlessly, and then everybody would follow his path. Death to see me leave with an air of arrogance, I dismiss on the open hands with the humility of those who want to live. I get the light back up lost in the fog that swallows voraciously merciless. You have my back, I walk slow and I think I should keep looking for me ...

But I tell you, creak, creak, creak, how it should be time to leave for good:

When it's death caught me deep in my dream and plum, I do not have that feeling of terror, when I woke up with the explosion of irrigated terrible pain throughout the body. Nor wanted a last look at the sadness in the eyes of the friends I have on these routes. Want or desire that the rate of death right directly above my heart sink: I wake with a start, I will dream the same dream with the last farewell hug me and start to sing. Then I guess it will water the news of my death in Soledad: Very few feel my game, maybe others will breathe with relief. But one is not money of five hundred dollars to shoot air-to-face seal. I do not give or donate feelings of pity. Come my friend louse, he already knows what you have to do. Immediately collect donations from friends for a coffin the poor for someone who has died in the street.

coffin I pray that my poor, is padded with cardboard and plastic. I keep getting chilly future states. I ask my friend Piojo undressing the drawer and put me my nakedness is covered with flowers of different colors. He Louse and his friends lifted me up in the air, carry me in procession to the beginning of Park Way and from south to north will lead me in the middle of the park, they stop at the site where those brutal men as trees planted dumb revolve around them and my friend and his companions Piojo men spit dumb trees, then continue with my nudity so many flowers blooming in as the root of my skin tanned for the time and come to the banks of the creek The Archbishop, looking dry wood and made a pyre and as it grows the flare, the Louse and Women tell stories of the Bible read aloud verses she loves that place my coffin from the flare and after three days, when my body to get rid ashes, The Louse and his friends caught handfuls of nothing in my body and sing loudly, while casting my dust in the river Archbishop. "

look at me, again I say your eyes saddened that it is time to go home. Through the trees of the Park Way heard another shrill whistle, the second of the day.

Way quiet Romanotti entered the bakery and ask our usual breakfast: rib soup, chocolate and white bread for you and me, the "light menu" who criticized me, orange juice, eggs and bread parrots. At the door of the bakery I say, "I'm tired, I lie down for a while, in the afternoon I want to continue with the writing of Maria de la Soledad, is my great novel ..."

Back home, I stop to look at the trees in the Park Way, eerie wind embraces me, I listen to the rhythmic hiss, this time with a friendly warning: The Man in the canoe out of the tallest tree from a trail of smoke surround; they said:

"For just as we wait for the finished canoe man smoking his huge snuff, off the tree, touch our door and announced his voice recorder and memory:" My dear Alape came travel time (...). The farewells of friends, expressing the image of the eye tattooed on his back leaving a huge way to find the voracity of the distance. Suddenly, the lost look in front of the sea or a river pier, or perhaps lost in the crowd in a train station or airport tumultuous, returns to voice loudly never to forget the steps walked (...) ".

I enter the apartment, I go to the place where your ashes. Company in the absence, is your picture with the oil painting of Transit , whom we honor with your words, the day he threw his ashes in the hills of Christ the King:

"I always support our decisions, arms opened to us through thick and thin. From you retain your strength to continue to exist. I now walk without worries, accompanied by the tender shade you built yourself. (...) The train is transformed into the smoke that grows on the bounce. And the smoke draw, dear Transit, perhaps the largest of your eyes which houses the joy in the sadness that conceals our faces. You'll Transit dear, with your gentle steps on the ground. The smoke of your goodbye covers all your loved ones, and a hug all we can only cry to the winds: "Thank you, dear Transit, for her life."

Photography, the urn with your ashes, memorabilia and his extensive travel experiences, the yellow flowers Tulia your dear friend recommended me to take home, all is well .... just like that ... no I've changed nothing ...

The empty apartment invites me to remember what I was doing boleros on nights of wine and friends with one of them persistently hinted me to share a love of many shades, I hesitated much but in the end the composer Rafael Hernandez and his love Desvelo , consolidated the decision: I suffer a lot

your absence

I do not deny I can not live if you're not next to me.
say that I am a coward
do I have fear of losing your love, your kisses lose.
not understand that much
I love you I can not help what I do "

Now the songs will be dedicated to the smoke trail of the man in the canoe, the trees will look to repeat the lyrics by Chico Buarque:


(...) Oh, yeah when I saw you, I began to dream, was almost madness
broke yet, I burned my ships
Tell me now where I can go
You and I, if eternal night antics confuse
Since both our legs
legs Tell me why I continue spill
If you let our song
If your heart sands
My blood vein missed and missed
How, if extended cabinet clutter Your
my dress pants refers
And my steps on your shoe to even
How, if we love, made two pagan
Your breasts are still in my hands
Tell me which side I'm going out (...)

I look forward to the trip to Cali , walk the room, this is your final return to Cali :
" When I am traveling in Cali for any reason, the return moved the original questions and I can not escape from the snares of memory hungry, restless years in its wake. It looked to replace the precise direction and avoid the momentary shock of surprise has been imprisoned and fresh air escapes and carries all the possible flights. Return to the fountain to quench your thirst at the event lived, because that revives the throb of life "

Love me grateful to live your life as an artist, designer and thinker, for listening to my doubts, uncertainties, questions, thanks for the generosity of your knowledge, experience , for travel, for allowing us the immense legacy of your work, for your critical stance, thoughtful, independent, for your commitment, "to offer different expectations from other banks ", for your dreams, mountain and river, have a large number of loving friends, all this is your great legacy. Thanks for writing a poem, by the dedications of Blood of Others ("Katie, Dream your dreams and my dreams, all dreams: the Life ") and I am a book in prison (" A Katia, presence and loving dialogue "), for sharing your joys and sorrows, for our disagreements, we felt human. Thanks for sharing a love Cali complicit for allowing me to embrace the Ruiz family. The three whistles of Man of the canoe will be your eternal presence, when you want to talk, when you feel the need that memory slips as a raging river, I will draw your friends. With this I join your voice:

"You my dear friends will never own corner in the pantry of the forgotten. By contrast, always be present with the scent that winds up with the arrival of spring. "

+ + +

remember:
1 .-
testimony and images of Arturo Alape
MAGAZINE ISSUE # 51. Dec. 2006 - Jan., Feb. 2007
FULL TEXT:
http://www.revistanumero.com/51/huella.html
Text and images Arturo Alape
central image: http://www .revistanumero.com/51/images/huella.jpg
This text, one of the last written by the artist Arturo Alape , recently deceased, is a gripping chronicle of the life of a man committed to his time with social meaning of existence. Testimony of an era, of a generation. ---
2 .- The
published on this Blog and appeared in the journal OUTSIDE and CALLIGRAPHY newspaper.

Saturday, December 9, 2006

Sadlier Oxford Vocabulary Level E Unit 4 Answers

MEMORY AND PRESENCE OF ARTURO ALAPE

MEMORY AND PRESENCE
of
ARTURO ALAPE
--- The No. 19 October 2006 issue of the journal AL MARGIN (1)
is devoted entirely to MEMORY AND PRESENCE OF ARTURO ALAPE.
emphasize the beauty and significance of the design of the cover:
a man the "canoe man" , paddling that leaves a trail of written pages ... . Perhaps
would have been appropriate to include "the passenger" ...
--- The No. 4 November - December 2006 Publication CALLIGRAPHY (2) Cali
devoted a good space to
content
MEMORY AND PRESENCE OF ARTURO ALAPE.

---

Photo of Arturo Alape published below
on page 99 of the magazine No. 19 of the magazine
OUTSIDE
and the first in the No. 4 calligraphy.
This same image was used on the invitation card to the event in celebration of 68 years Arturo on November 3, 2006 in Cali.
+ + +
(1)
CONTENT AND DETAILS OF THE JOURNAL "OUTSIDE" No. 19
CONTENT (SEE A later ...)
* Fifty years after the explosion that broke in two Cali
history
By ARTURO ALAPE. - With photographs by Agustín Navarro Otero - (Pages 5 to 22)
* The man in the canoe. Texts
Arturo Alape extracted and presented by Rogelio Gomez (Pages 23 to 29)
* Arturo Alape: From silence to the palimpsest of memory and history
By CARLOS VASQUEZ
Zawadski (Pages 30 to 34 )
* Alape biographer
Tirofijo
Excerpted by Manuel Laverde interviews with Arturo Alape (Pages 36 to 40)
* Formative Years of Manuel Marulanda Vélez
Excerpted by Mario Arrubla of Arturo Alape book 'The Lives ... Tirofijo '(pages 41 to 98) ---

This issue of THE MARGINS (Text page 4)
Notes, sources, contributors. Arturo Alape

born in Cali on November 3, 1938 and died in Bogotá on October 7, 2006. It was the first painter, political activist game linked to the guerrillas, finally - the last 35 years - writer, writer and painter. Among his works include a biography of Tirofijo in two volumes, the books La Paz, violence, witnesses of emergency; The Bogotazo, Ciudad Bolivar: the bonfire of illusions and numerous short stories and novels. Collaborated with the number 6 on the sidelines with a beautiful autobiographical illustrated with his own paintings.

- Text "Fifty years after the explosion that split in two the history of Cali" is published here for the first time in print, was read by Arturo Alape Cali on 8 August 2006 on the occasion fitográfica exposure "50 after the blast on 7 August 1956." thank Katia González , companion of the writer, for having given this was one of his last works, and our thanks go to Igul Jose Agustin Otero , who gave us the magnificent and stunning photographs that accompany the text, taken by his father Navarro Agustin Otero. "

-Text " Formative Years of Manuel Marulanda Vélez " is an extract made by Mario Arrubla, co-director and editor of this magazine, from The lives of Pedro Antonio Marín, Manuel Marulanda Velez, Tirofijo (planet, 1,989).

- Contributors Rogelio Gomez and Manuel Laverde are lawyers U. Antioquia and Cultural Circle co-founders of Alfonso Lopez.

- Carlos Vasquez Zawadski is linked to universities and Javeriana Tadeo Lozano, and U. Valley, which is Professor, and a book of dialogues with Arturo Alape, has published numerous books of poetry and literature studies.
- A L MARGIN thank Inés Arrubla Ramiro Montoya and the important help in the stylistic correction of the texts. ---

DETAILS MAGAZINE OUTSIDE
No. 19 (October 2006) Quarterly Journal

DIRECTORS: Mario Arrubla - Bernardo Correa - Guillermo Mina
EDITOR: Mario Arrubla
GRAPHIC DIRECTOR: Titus Neyens
Production: Sonia Arrubla
air Apartado Postal address 32265, Bogotá
Your Materials: al.margen @ gmail.com Bcorrea@gmail.com guillermomina@yahoo.com . Sending pictures and notices: soniaarrubla@maco.com , tneijens@usadatanet.net
DISTRIBUTION: Century of Male Publishers. Carrera 32 No. 25-46/50. Bogotá, Colombia.
Tel (571) 337 7700 - info@siglodelhombre.com (See + + + below)
The magazine is not responsible for the opinions of its contributors. The magazine is not responsible for materials sent by mail, ni.los returns. The total or partial reproduction of any material requires written authorization. Intellectual property rights reserved for all countries. ISSN 1657-7310 Printed Lithograph
New Era - Tel 291 1213 Medellín
+ + + News from NTC ...: COLLECTION journal THE MARGINS: http:/
/ www.siglodelhombre.com/browse_ed.asp?abgrupo=BER&abmg=JZ&id_colec=867 (There you can buy online)
The No. 6. "With special collaboration of Arturo Alape which included a beautiful autobiographical text illustrated with his own paintings, as reported in the No. 19.
A. - Notices of NTC ... A.1 .-
The text of "Fifty Years of the explosion that broke in two Cali's history," read by ARTURO ALAPE in the Departmental Library of Cali on August 7, 2006 at 5 : oo PM was published in this blog the same day thanks to the author provided a copy. VIEW: http://arturoalape.blogspot.com/2006_08_19_archive.html
Photo: Arturo Alape reading the conference and José Joaquín Otero: http://photos1.blogger.com/blogger/7800/3574 / 400/IMG_1755.jpg
That day, reading, Arturo Alape, she opened the photo exhibition: "Memory and Future City. 50 of the blast on 7 August 1956." Some photos of the exhibition was published in THE MARGINS No. 19, and on page 4 states: "Our thanks go to José Agustin Igul Otero, who gave us the magnificent and stunning photographs that accompany the text, taken by her father Agustin Navarro Otero.. "
A contiunuación some of the photographs for the exhibition opening and Arturo Alape participation in the event. ARTURO

ALAPE. In the background some of the photographs.
Photo: MIC NTC ...
Cali, Library Department, August 7, 2006. ---

Arturo and Jose Agustin Otero Alape
entrda to the wall and presentation of the exhibition of photographs. Departmental Library
del Valle, Cali. August 7, 2006

--- Gabriel Ruiz Arturo Alape and NTC ...
travel exposure and dialogue.


--- POSTER EXHIBITION
used in the one picture
exposed and which appears on pages 8 and 9 OUTSIDE magazine no. 19.

---
A.2 .- " The canoe man" The full text is supplied then by Arturo Alape, its author, was published in this Blog on 19 August 2006
+ + +
(2)
CONTENT AND DETAILS No. 4
PUBLICATION "Calligraphy "
appear in this edition of "Calligraphy": text "Arturo Alape, the inquirer unfailing our reality. " Luis Alberto Diaz, Arturo Alape three poems, a bio-opusgráfica note of it, some reproductions of his paintings and several covers of his books.
Provided by the author, the text of Diaz, a close friend of Arthur and concedor of his life and works, published in this Blog on October 28, 2006. View: http://arturoalape.blogspot.com/2006/10/cumpleaos-68-homenaje-y-memorias.html
All poems of Arturo Alape his book "LIGHT IN THE AGONY OF FISH." POEMS. Arturo Alape (Ed. San Librarie 2004), the public, thanks to Luis Alberto whom we share the book in this blog on August 22, 2006. View: http://arturoalape.blogspot.com/2006_08_22_archive.html . The three poems published calligraphy titled: "The heart is a trap," "You could throw into the sea" and "Be of longing" (Katie).



































Tuesday, November 28, 2006

Bushnell Sportsman 4 X12

"the bestiary of ALAPE." In Memoriam

Alape The Bestiary
In Memoriam
Cultural Center of the University of Salamanca in Bogota, http://fundacion.usal.es/ is pleased to invite you to the opening of the exhibition in honor of Arturo Alape (RIP).

Alape The Bestiary
In Memoriam

Tuesday November 28, 2006
from 7 to 9 pm
5th Cra No. 21-51 / Tel: 342 9361

Exhibition open until December 15, 2006

Arturo Alape A year ago, writer, painter, revolutionary, investigator, in a word, a man who seemed to come of the romance, I said with a sly smile, as if looking for one of the complications which he used to easily find, which would expose a "bestiary" in which he worked and would like to do in the University of Salamanca in Bogota.

Few activities are more appropriate for a University Cultural Centre to the exhibition of the work of a painter-writer, especially if it is one of those "bestiary" which, in addition to its literary spirit is emparientan with a tradition that comes from the Middle Ages. After a conversation, which took a few minutes, the sample agreed that a date would be inaugurated in October 2006.

In April, Arthur, one of those leave between ironic and were so enthusiastic that his, he told me he was working hard in the "bestiary" and sealed the emphatic statement with a grimace as to label some Pilatuña. However, in late September telephoned to manifest, with unconcealed regret that it was necessary to postpone the exhibition since internaría next day in a clinic to undergo a process of chemotherapy. Days later emerged, a Sunday morning full of chiaroscuro, the sad news: Carlos Arturo Ruiz, Arturo Alape as it used or signed and as everyone knew, had truncated leukemia. The researcher, historian, anthropologist, novelist, revolutionary, painter, essayist, and above all, a friend, who left a remarkable footprint behind, killed one of those days, rather, should have dealt with end of collages and drawings.

With the kind cooperation of Katia Gonzalez, his widow, "The Bestiary Alape" set out in the halls that Arthur wanted to end the cultural activities of the Centre of the University of Salamanca in Bogota this year. Fernando Toledo
+ + +
Some faces of MASTER ARTURO ALAPE
The center of the first row and the first two in the third row were taken
on his last visit to Cali on August 7-9, 2006.
The third in the third row was made at the Workshop
December 2005
I teach in Cali.
Photo: MIC NTC ...

Saturday, November 4, 2006

Good Places To Get Dresses/

BIRTHDAY 68. November 3 . Records of the event.

ARTURO ALAPE
Cali, November 3, 1938 - Bogotá, October 7, 2006
BIRTHDAY 68. TRIBUTE AND MEMORIES
Centennial Library, November 3, 2006
EVENT RECORDS ---
INVITATION CARD
---
THE BANNER

For the design and development of the banner picture was used in front of his work Alape

"Transit Ruiz, "his mother * .

Alape Text on the card and the banner:" I am returning to the habits of children in the 40 and 50 of the last century is like the reconstruction of memory of the artist's life, the intellectual, the man, the reunion with old and new friends "

* Photo at: http://arturoalape.blogspot.com/2006/10/hasta -forever-2-of-katia.html

---

PALOMA RUIZ, MANUEL RUIZ,

KATIA ARTURO GONZALEZ and ALAPE

They stayed and share with them on the birthday

event Photography: MIC NTC ...

---

MANUEL COMPANY OF HIS FATHER

---

KATIA VERY CLOSE TO ARTURO

"I see
tender under the shelter of your body ...
Receive

abandoned the prayer of drowning waving
Flag of sadness Come
Shed
and your body and fly with distance

Come Wrapped in the wind whistling
friend "

the poem" Be of infinite yearning " . A Katia. Arturo Alape *.

* The whole poem (page 50) and all the poems in: LIGHT IN THE AGONY OF FISH (click the title or click on the date of 08/22/06 This Log file)

--- FAMILY: Brothers, sons, nephews, ....

+ + +

The event, which saw an attendance nutridísima "old and new friends" Alape, had the following agenda: 1 .- Words

communicator and journalist Luis Alberto Díaz , close friend of Arthur. Document delivery.

2 .- Presentation of ALAPE ARTURO documentary made for television in 2002 (25 minutes).

3 .- Remarks Manuel Ruiz, son of Arthur.

4 .- Remarks Katia Gonzalez, his wife. 5 .-

reading selected poems. 6 .-

Raffle

10 copies of the book "NIGHT BIRD" Donated by the Bookstore Athens. 7 .-

Boleros, chat, wine, dumplings from the Obelisk, remembrances ... ---

DEVELOPMENTS

1 .- LUIS ALBERTO DIAZ remarks.

Arturo Alape, the inquirer unfailing our reality .*
(Cali, 1938 - Bogotá, 2006)
By Luis Alberto Díaz Martínez. Communicator and writer

For Katia, Paloma, Manuel, Nicholas and all his loved ones.

A humanistic sensibility, warm, simple and pleasant as Arturo Alape the Master can only understand if you know, for example, from "very peladito" along with his older brother Alvaro, they had to walk the streets near the old central gallery of Cali, selling food to raise some money to would allow his mother Transito tenement where they lived in a family-supporting absent parent. That is, he never forgot his home and always took great pride.

Moreover, if a few years of primary school managed to take final impressions joined as that of April 9, 1948, when a few hours after the assassination of Jorge Eliecer Gaitan and chaos that swept across the country, discovered in the back of a newly arrived neighbor bike-resident in the same tenancy Cali-a bullet hole and blood stains covered her entire back as has been happening to Colombia since . That is, never ceased to be anxious or critical questions about the barbarity of their counterparts, seeking an answer at all costs.

And if one learns that officiating assistant and errand boy for a sensitive dentist got to know their facilities to combine shapes and colors, it also follows that force soon began their classes in drawing and painting in fine arts first, to continue with them after in Popular Institute of Culture when he had toured the municipalities of Valle del Cauca as a peddler of hardware until arriving finally in the zone of tolerance of Cali with an assortment of lingerie. That is, he was never crumpled to the effort to sustain dignity and pure pluck with moonlighting.

Until they made teenage and early adult, he became reader of poetry fighter English Civil War Letters of Theo Van Gogh and the great literature, participated in the conference as a student leader who helped Cali the fall of Rojas Pinilla dictatorship, political activism led from left-to Start the National Front-the birth of slums in Cali, and when no other alternative generation is committed to go to the mountain to observe with his own skin the armed insurgency and eventually decide that the way it should replace the pure analysis and creation. That is, took the bull by the horns and without resentment or the curses of some of his contemporaries was routed for the life of literary and pictorial art, paying the high price of exile, the ostracized interior, the decrease and ninguneo.

Then followed a dizzying journey through the intricacies of historical research, sociological and journalistic through the maze of reflection, debate, testing and university professor, for the adventurous and refreshing cliffs creating universes libertarian narrative with stories, novels, poetry and painting which, added to their vocation Travelers, for music lovers of bolero, tango, Caribbean rhythms, jazz and classical music, in addition to its culinary pleasures, turned it into a new kind of humanist who took literally the most of his life and humor in complicity with your loved ones. In short, a wonderful and irreplaceable legacy in scope to really understand why we keep killing between brothers and how we can stop if finally once and land owners all the powers in Colombia. ---



* Text to be published in the journal "METROPOLITAN" http://www.calicultural.com/articles/107/art_03mx_107.html of Cali in November 2006, in the section, OUTSIDE CALI / CALI IN MIGRATION
This page is dedicated to the recognition of those who for one reason or another decided or had to leave Cali, the city, cultivating and harvesting followed elsewhere. Like it or not, Cali is his lair, its meaning, so here are.
Thanks to the author this paper we had published Log in here:

http://arturoalape.blogspot.com/2006/10/cumpleaos-68-homenaje-y-memorias.html

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2 Introduction .- ALAPE ARTURO documentary made for television in 2002 (25 minutes).

Coming soon - working out of film speak Restrictions author - try to put this video on this blog or on the web.

3 .- Remarks Manuel Ruiz, son of Arthur.

will publish the full text or excerpts. And tartar Bitacora uploading this audio.

Katia 4 .- Remarks Gonzalez, his companion.
Same as above. 5 .-

reading selected poems.
View all poems in the book LIGHT IN THE AGONY OF FISH by clicking this title.

6 .- Raffle 10 copies of the book "NIGHT BIRD" , donated by the Library Athens. Bon Appetit
those favored. And again, thanks to the ATHENS LIBRARY and the efforts of Luis Alberto Díaz.

7 .- Boleros, chat, wine, dumplings from the Obelisk, remembrances ...

Everything was very special. Thanks to Hotel THE OBELISK. And as Katie said, "The great task henceforth is to measure the great legacy he left behind Arturo Alape and this task would have you."