Saturday, October 28, 2006

How Does Pleurisy Spread

BIRTHDAY 68. TRIBUTE AND MEMORIES ... ARTURO

ARTURO ALAPE
Cali, November 3
of 1,938 Bogota, October 7, 2006
Tribute to the Master and his friend on his birthday 68

The last picture of the Master Alape in Cali.
August 9, 2006
Departmental Library. Tertulia
Cali with youth around 50 years of the explosion of August 7, 1956 Photo
MIC NTC ...

--- I am returning to the habits of children in the 40s and 50 of the last century is
as the reconstruction of memory, life, artist, intellectual man,
reunion with old and new friends. Arturo Alape

Tribute to Maestro and friend on his birthday
Night of Art, Music, Poetry and Tertulia. Invite
:
Centennial Library
Social Research Group "ARTURO ALAPE in Cali Blog
" ARTURO ALAPE "

Friday, November 3 2.006
6:30 PM - Cali
LOCATION: CENTENNIAL LIBRARY
Colombia Calle 4 ª Avenida. West Corner
Tel: 893 2909 E-mail: bcentenario@yahoo.es and aalapeblog@gmail.com


--- Arturo Alape, the inquirer unfailing our reality .*
(Cali , 1938 - Bogotá, 2006)
By Luis Alberto Díaz Martínez.

communicator and writer. For Katia, Paloma, Manuel, Nicholas and all his loved ones.

A humanistic sensibility, warm, simple and endearing like the Maestro Arturo Alape can only understand if you know, for example, from "very peladito" along with his older brother Alvaro, they had to walk the streets near former Cali central gallery, selling food to raise some money that would allow his mother Transito in-hold tenancy where a family lived with the absent parent. That is, he never forgot his home and always took great pride.

Moreover, if a few years of primary school managed to take final impressions joined as that of April 9, 1948, when a few hours after the assassination of Jorge Eliecer Gaitan and chaos that swept across the country, discovered in the back of a newly arrived neighbor bike-resident in the same tenancy Cali, a bullet hole and a stain of blood that covered her entire back, as has been happening in Colombia since then. That is, never ceased to be anxious or critical questions about the barbarity of their counterparts, seeking an answer at all costs.

And if one learns that officiating assistant and runner of a sensitive dentist got to know their facilities to combine shapes and colors, it also follows that force soon began their classes in drawing and painting in fine arts first, to continue with them after the People's Institute of Culture when he had toured the municipalities of Valle del Cauca as a peddler of hardware until arriving finally in Cali tolerance zone with an assortment of lingerie. That is, he was never crumpled to the effort to sustain dignity and pure pluck with moonlighting.

Until they made teenage and early adult, he became reader of poetry fighter English Civil War, the Letters to Theo Van Gogh and the great literature, participated as a student leader at the conference Cali contributed to the fall of Rojas Pinilla's dictatorship, led from the leftist political activism, at the beginning of the National Front-the birth of the neighborhoods invasion in Cali, and when no other alternative generation is committed to go to the mountain to observe with his own skin the armed insurgency and eventually decide that the way it was meant to replace the pure analysis and creation. That is, took the bull by the horns and without resentment or the curses of some of his contemporaries was routed for the life of literary and pictorial art, paying the high price of exile, the ostracized interior, the decrease and ninguneo.

Then followed a dizzying journey through the intricacies of historical research, sociological and journalistic through the maze of reflection, debate, testing and university professor, for the adventurous and refreshing cliffs creating universes libertarian narrative with short stories, novels, poetry and painting which, added to his vocation of traveler, music lover's bolero, tango, Caribbean rhythms, jazz and classical music, in addition to its culinary delights, made him a new kind of humanist who took literally the juice its existence and humor in complicity with their loved ones. In short, a wonderful and irreplaceable legacy in scope to really understand why we keep killing between brothers and how we can stop if finally land once and the owners of all powers in Colombia.

Public Works: Diary of a guerrilla (1970), Tirofijo Deaths (1972), Guadalupe years without consideration (coauthor, Casa de las Americas prize, 1976), One Day in September. Testimony on the work stoppage of 1977 (1977), men's body invisible (1979), The Bogotazo: memories from oblivion (1983), Night Bird (1984, 2003), The peace, violence: witnesses of emergency (1985), The Lives of Pedro Antonio Marín, Manuel Marulanda Velez, Tirofijo (1989), multiple rating on Thomas Carrasquilla (1990), Juliet, the dream of butterflies (1994), Sureshot: dreams and the mountains (1994), Ciudad Bolivar: the bonfire of illusions (1995), multiple rating on León de Greiff (1995), Rio de huge voices and other voices (1997), Looking at the end of the morning (Grant Creating Colcultura 1995, 1998), Blood of Others (2000), I am a book in prison (2002), Light in the agony of the fish (2004), Frida Kahlo (2004) and the unburied corpse (2005). ---

* Text to be published in the journal "METROPOLITAN" http://www.calicultural.com/articles/107/art_03mx_107.html of Cali in November 2006, in the section: OUTSIDE CALI / CALI IN MIGRATION
This page is dedicated to the recognition of those who for one reason or another decided or had to leave Cali, the city, cultivating and harvesting followed elsewhere. Like it or not, Cali is his lair, its meaning, so here are.

thank the author

det sending text.

+ + +

ARTURO
ALAPE *
By: Omar Ortiz

the tabloid, Tulua, October 14, 2006 http://www.eltabloide.com.co/?Articulo=12742
http: / / www.eltabloide.com.co/Imagenes/opi_omarortiz-01.jpg (Photo: Omar Ortiz)

Carlos Arturo Ruiz, who appeared well on civil registration was primarily a fighter, a fighter who beat him the difficulties of poverty and who from an early age had to put the chest to the wind to raise her mother and younger siblings. But its many offices are not prevented him from studying People at the Institute of Cali between 1955 and 1959, managed to become a painter, artistic discipline practiced for sixty-eight years, complementing its interest in writing, drama, research, journalism and in general all areas creating enabling it to generate criticism and controversy.

Born in Cali, studied in the Central School of Youth in Moscow, where he resolved to adopt the pseudonym of "Arturo Alape" as a tribute to James Frías Alape, "Black Charro, guerrilla leader of the fifties. Alape was passionate fighter for popular causes and as such became a member of the Communist Youth to was Secretary and well traveled throughout the department of Valle, with a mission to make the most important organization there to serve their revolutionary ideals of the Party. In this militancy became friends in the town of Marquetalia with Pedro Antonio Marin, "Sureshot", commander of the Revolutionary Armed Forces of Colombia-FARC-and that would close a book that made him famous, "The deaths of Tirofijo "published in 1972.

for his political activity had to take several times into exile by death threats from state security forces. Cuba and Germany were their temporary shelters, under which he used to realize the role their experiences social, their experiences, their research, resulting in at least 23 books published of which we highlight: "Diary of a guerrilla" (1970), "The death of Sureshot" (1972), "The Bogotazo: memories forgetting "(1983)," Night Birds "(1984)," Julieta's dream of butterflies "(1994)," The corpse unburied "(2005). Arturo Alape

could not be defeated, suffering from leukemia for seven years he played a trick on this October 7 when the attending physician at the clinic Corpas in Bogota, was pronounced dead, but what All we know is that from any landscape Alape walk proud to be the most communist of the Doctors who had the
Universidad del Valle.

Sunday, October 22, 2006

Which Is The Best Pre Workout Supplement

ALAPE. By Julio César Londoño

From: Orlando Cajamarca dirgeneral@esquinalatina.org
Sent: Wednesday, October 25, 2006 9:45 a.m.
To: zaid@emcali.net . co Luis Alberto Díaz Martínez
Subject: Re: The folly or foolishness
missing
Dear Lucho was not so. But I share the spirit of your rant. A big hug Orlando
+ + +
From: Luis Alberto Diaz Martinez, zaid@emcali.net.co
Sent: Monday, October 23, 2006 9:02 a.m.
To: Log Arturo ALAPE aalapeblog@gmail.com
Subject: folly or foolishness missing

The folly or foolishness
missing
By Luis Alberto Díaz Martínez *
A historical and literary work, humanistic, strong and consistent as that of Arturo Alape, defends alone. Over the days and years will tell, and enlightened people (not hypnotized or idiotic) of our country. Everything has its time. At the end of the figurative and the desire for fame at any cost is only for the priests of the ratings, the rutilancia and religion of success so dear to those who think more or better than everyone.
Hence the sensationalist attacks against Julio Cesar Londoño Arturo Alape and his work, typical of the sensationalism that characterizes the media clowns, can only rest in the gutter of mediocrity and used to make a precision:
The stark reality for its pyrotechnic nature itself is a facile appeal of mercenary scribes who "are legion" at the mercy of the usual owners of economic power ancient political and Colombia. Therefore, the pose, such write-of freethinkers that legitimate freedom of the press with its boldness of enfants terribles (stale and senile) or cuentachistes simply limited and informal sheep keep oiling the machinery of the Establishment avid fan not stops yelling and threatening those who do not join the chorus infamous ass-kissing.
is clear, therefore, assumed that the media servility as a vocation (as always near the selling or rogue) has not only proven to be very profitable in different orders but also an effective technique for shock shift Correveidile Climbing the pantheon the "recognition", especially if it is based on the great collection of beasts that make necrophagy scavengers.
* independent writer and communicator.
+ + +
INTRODUCTORY NOTE
Dear friends:
Cordial greetings. It is quite likely that you have already read and commented on the column Julio César Londoño in El Pais yesterday. If for some reason did not see it, here reproduced as a point for discussion that allows us - if appropriate - to reinforce the recognition and admiration we had, and shall have ALAPE MASTER as a human being and as a creator. Have known him closely, knowing much of his biography and his work and the many views and comments from critics and analysts allowed him and his writer and artistic production are sufficient grounds to be in total disagreement with the majority of Julio César Londoño written. And it will have to invite you to read and see the work of analysis Alape and other critics and writers - much more authoritative than the columnist - made about her and the man was .... So far, only this concept:
GOODBYE TO ALAPE. Arturo Alape was a great storyteller (his book Tirofijo deaths remains a classic of the genre) and the most knowledgeable historian on April 9. His death deprives us of a great storyteller, an excellent writer and a man of exemplary coherence left.
(DE: Two months of Uribe 2: the compass lost (final fragment.) BY Daniel Samper Pizano * cambalache@mail.ddnet.es TIME, Oct. 11, 2006
http://www.eltiempo.com/tiempoimpreso/edicionimpresa/opinion/2006-10-11/ARTICULO-WEB-NOTA_INTERIOR-3280296.html )

And back Katia's words: "The great task henceforth is to measure the great legacy he left behind Arturo Alape ..." .
Sincerely, Gabriel Ruiz
/ NTC ... / y Blog http://arturoalape.blogspot.com/
--- IN THE DEATH OF MR HANDS OF A WOMAN WHO HAD
the flat. By: Julio Cesar Londoño
El Pais, Cali, October 21, 2006
http://www.elpais.com.co/historico/oct212006/OPN/opi2.html Arturo Alape

was a man short, brown hair, thin nose, green eyes and beautiful hands and useless. His fans, who are legion, say I'm wrong, that all blasphemy and upset, that the hands of Alape made history, poetry, journalism, essays, novels, drama and art. And it is true, did everything but everything went wrong. It was our most reputed violentologists, office to which he devoted himself with a relish and a morbidity worthy of best companies. His books, lectures and conversations dripped blood, brains and guts and contained detailed descriptions of massacres, flannel courts, rape and severed phalluses and stuffed into the mouths of the dead. His style was soulless and full of irrelevant digressions and 'seasoned' with a flojísimo humor, as evidenced by Victor Dius Monday in these pages, I guess with the best intentions. Although

Alape owed everything to a picture Tirofijo, as Andres Pastrana, is to clarify that the picture is Alape the 70's, when 'Sureshot' was "a worldwide symbol of resistance against imperialism," while Pastrana is 1998, when Antonio Marulanda was just a bloody narco and belly, an 'don Berna' dirtiest towel.

I met him in a Writers Meeting for Peace held in Caicedonia. The last day, very early on a Sunday, he and I sat down to write Caicedonia Manifesto, a document that would consign our position against the war. Alape was appointed because of who he was and I chose because there was more: the other writers were sleeping in the Babylonian 'bitch' of the previous night.

remember when we met in a school with Tiberio Manuel Bermudez and Pedro Luis Barco, meeting managers and Alape began to dictate to a scribe his manifesto, a detailed relation of the excesses of the Uribe government. Dictated everything was true, but did not mention unbalanced because the excesses of subversion and said in a feeble voice: This seems a statement of the FARC. Man is darkening the bright green eyes and shouted, then come and write your you! I remained silent and quiet, chastened dog, but in the end the document came out more or less neutral, as it should be, and expressly repudiated "the abuses of the civilian population by all the actors in the conflict."

When we put the final point, Alape invited me to lunch. It was another, the angry Mamerto had become friendly telling a reporter that, as a child, Tirofijo panela cheese and sold by the trails of Tolima, which youth learned tangos playing a violin patched and then, when opening roads worked with the Ministry of Public Works, Government engineers taught to handle explosives.

I think the national grief over the death of Alape is a tribute to your kindness more than his talent, the fighter rather than man of letters. He must be under: It is better to be loved than admired, he said. Arturo Alape

was not a poet, but he himself was a poem. ---
comment will on the website of ElPais to October 25, 2006:
http://www.elpais.com.co/historico/oct212006/OPN/opi2.html

Author : JUAN PANERO / CALI

Alape was embedded in a guerrilla Literaratura, which used to spread the Manifestos of the FARC, with shrapnel disguised as history, fiction or poetry, but since Cervantes separated Learn Language and invented this fictional literature, these poor lambs as Alape could not hide from the eyes seasoned in the arts as his Julio Cesar appreciated. Mr Dius column is an apology to a preacher of violence and a promoter of the class struggle in Colombia with the doctrine that are valid \\ "all forms of struggle \\". IUDs do not deceive us by elegies of poor quality as its columns, on deaths that survive in the history of Colombian Literature.

Author: Griselda / Colombia
Poor
opinion. Alape was a lawyer fighter. He was detained for being a leftist and had to flee abroad, simply for telling the truth. He wrote several books that were translated into French, German and Japanese. Guadalupe coauthored years without Account, theater prize in 1976, Casa de las Americas. He had talent and spirit, there's no doubt, although the columnist doubt it.

Author: gregorio / praga.rep Czech.

\\ "neutral, as it should be \\". Does not clearly express what I feel when a person, talking about situations like our history of violence, think that should be neutral. neutral when discussing the current situation, disregarding any historical context, the error in my view, not allowing a true cure to our pain, of all Colombians. Because this conflict is one reason for its inception, and very specific, it does not take a \\ "Mamerto \\", you only need to be, in the case of a historian, honest analysis. the man who writes, or admired or loved, no compromise is their right, the other man was his duty to commit. have forum is a privilege, not a right!

Saturday, October 21, 2006

Low Lymphocyte Low Platelets

Arturo Alape, by the chronicler José Navia

Arturo Alape,
the chronicler José Navia reminds the late writer
Jose Navia, Features Editor of TIME

This document which is part of a series we are publishing
to mark the birthday of Arthur November 3 next ,
day that
in Cali, in the Centennial Library,
significant event will be a memorial and tribute to the Master.
October 21, 2006
Photo Weekend Reading (El Tiempo printed. Com).
October 21, 2006
Arturo Alape, the chronicler José Navia reminds the late writer
Jose Navia, Features Editor of TIME
WEEKEND READING, TIME, October 21, 2006
eltiempo . com / tiempoimpreso / edicionimpresa / readings, October 20, 2006 Source

enlarged picture
On the right a fragment of the first page reads. ---->>>
The researcher died a few days in the capital, after enduring a sad disease for several months.

bullets were not dark shooters, or sadness that historically have said for several years, they closed the coffin of Arturo Alape. In the first received votes and death notices that forced him into exile twice. But they were not his enemies who took him away on 7 October. It was leukemia. That disease cornered him for 7 years and decreased strength to the final ambush. The response of the writer, since he learned of his illness, was to intensify their working hours and their will to live. "I started the new novel, I have planned an exhibition of my paintings next year, the beginning of each night hug my daughter Paloma and every day I think of lengthening the steps of life " said in 2005, in an interview following the launch of a book.

In his later years, Alape wrote as if it were to die. In fact, six of his 23 books correspond to the time of his illness. The last of them, the unburied dead, hit bookstores in mid last year. It is the story of a woman who is fighting a courageous battle solve the murder of her husband. Alape himself described this work as a historical novel detective narrative structure.

Alape, who really was called Carlos Arturo Ruiz, was a Cali of 1,939. Adopted the name as a tribute to James Prías Alape, agrarian leader, founder of the peasant guerrillas that led to the FARC, killed in Gaitania (Tolima), in 1960. Alape participated intensely in the mid-worker protests s. XX. He also loved boleros, Cuban son and salsa. Among its most tangible memories of youth was in the old Cali salsa dancers, Apache botacampana white pants. So, nobody was surprised that Katia, his last companion, and Manuel, his son , also a historian, a recorder installed a few meters from his coffin in the room vigil. It was a way of extending the social gatherings organized writer in the living room of his apartment in the La Soledad.

to 19, by Alberto Beltran, his favorite, began the final serenade. "0ooye, what I mean ... there are dates in life, we can never, ever forget ..." . Some of his crate, his friends, because I had the good fortune to have several and true, they recalled the political adventures they shared as Communist Party members, raids, arrests and the lanky lad heading towards the hill, with illusion of changing the world. They also recalled his return to the city, three years later, disillusioned by the blood emergency imposed by the armed struggle.

Then set your tent in another field. It became an emotional biographer Manuel Marulanda and the FARC, but with time became necessary and sufficient distance, to the extent not justified at this time, no war. As a writer, journalist and historian, Alape realized the unofficial history of the Colombian conflict for over 50 years, with the consequences thereof. He also left a painting in which the hallways are in the slums of Cali, the faces of working-class neighborhood streets and interiors of houses of Havana, where he spent his first exile.

three years ago, the U. Valley recognized her merits an honorary literature. In recent weeks, received tributes from the Council of Bogotá, its students, their friends who packed the theater La Candelaria, another of his homes, and, finally, who came to the vigil room to participate in the final gathering around his coffin. No Mass or prayers. For the day of his death, Alape not veiled, but remembered him.

Friday, October 20, 2006

Groping On Japanese Train

THE POET IN EXILE. By Arturo Alape

THE POET IN EXILE
By Arturo Alape
thank Katia González Sending this document
that is part of a series that will publish
to mark the birthday of Arthur next November 3,
day that in Cali Centennial Library,
significant event will be a memorial and tribute to the Master.
October 20, 2006

a Scripture of Terror in Colombia
, that writing announced and spread by sick minds and hatred infertile, has a long history. It is a book that seeks to create in the man alluded to, the tingle of your skin when you get up with the frost of fear and his breath stirred a dull buzz becomes a worm stuck in their mouth. It is a book that handcuff the man whom it is addressed, the inertia of their own helplessness, stirs your emotions unknown dimensions and upsets his own interiority. Fearing the man becomes a living dead to walk everyday, to disguise their body with clothes outside and different thoughts.

are many symbolic meanings of the Scripture perverse: representation of death that comes without announcement, the Chinese fear as drip hits the conscience; uncertainty that covers the eyes with the dark perpetual suspicion and distrust towards the close circle of family affection and love, the imaginary prelude growing hatred and revenge against an unseen enemy.

Perhaps the first example of the Scripture, is found in the certificate of citizenship in the fifties, a role that the official seal bore witness if he had voted or not elections to elect as President Laureano Gomez. Carrying the document displayed in a retainer or any requisition of the forces of institutional order call was simply to sign the death penalty: the carrier did not vote, so it was liberal or communist, and immediately stood in line to receive after the explosive detonation of firearms or sharp knife cut violent sinking in cruelty in your body, to mark the traces of an ideological discourse. The use of the tie, pledge of party identification by color, also became a kind of Writing Terror: in cafes in Bogotá, a red tie that was combined with the dark clothes and hat, gray cloth, he was forced to swallow his own, as a sign of derision public policy.

2
The poet lives in his own fear
, the shadow is surprised when for fear it leaves your body. The poet has changed its habits, should remain the same, but no one becomes aware that it is the same man. Abandoned public life, said plates and doors of his apartment, closets, intercoms, as if he and his house hiding armored. Change the relationship with the family, his life have hidden fear for his own. To go out and do so with confidence always. Beware of casual passersby, trucks parked on the street, the man who waits for a rendezvous in the corner. Her look has become more diligent to look into the faces of a possible man who comes along, sticking to your skin, your eyes, your breathing, fortnight ago, is joined in the distance to the door of his apartment and lights a cigarette after another while standing on the corner dawn in front, looking towards the window of the poet as if it were an inveterate night owl, the poet and man are like Siamese twins with simultaneous movements and gestures, silent assemblies, never before presented for signs of blood.

Voice caged in a premeditated silence again foreshadowing the announcement of the threat decreed in writing: the poet picks up the phone nervous in the hours of the morning, no answer, just listen to the purr of a cough inaudible, the poet releases the device brought uncertainty and not fall asleep, the phone rings, it is raised, not answered, the other side of the line meets the ominous rumble of a cough. Try to sleep hugging the body of his companion, who wakes up has not lost its hustle details nervous. Open eyes on the poet, leafless trees fall like hundreds of butterflies who are fleeing the dream could not catch them. He seeks refuge by crying silently dying as a monosyllabic, fragments of a poem of his, "scratchpad" Every friend is alive in my notebook. / Your name written there recreates my affection / printed red signs in babbling blue / in dark green keys in poring slogan or line their own paradise ./... And if he gets a friend, a partner / as black beam that stiffens their steps / must clear their names of wine or doves / and so the van crossing my fingers trembling. /
Perhaps he would also like to delete your name from your address book notes, to become invisible as a man and a presence in undecipherable arabesque, lost and crushed in small white pages.

The poet has received three pamphlets with death threats, for presiding over an institution of solidarity with Cuba and the innocence of his actions and his firm, which others use as political and ideological rubble.
3
In the field
, in late 49 and early 50, that Book of Terror had its highlights, in time to save the life, honor and property, the Liberals had to change their thinking and writing political tradition: in front of two witnesses, man or men castrated and left for life thinking, writing their name, card number and with his signature, as witness the mayor, the priest or the Conservative leader, man or men read aloud half the public square in his hometown, the following document:

"We, the undersigned citizens of Colombia, of age, identity cards under the numbers listed below in full enjoyment of our faculties, our absolute and spontaneously, without pressure or coercion of any guidelines on how strong and proud and under penalty of perjury, before God and men, and in the presence of witnesses declare: That

protest the Liberal Party and to remain in its ranks soldiers before, because that party is that of anarchy, moral disruptive, detrimental to order and morality and the Catholic Church, as demonstrated by the April 9 . From today belong to the Conservative Party, which alone constitutes the heritage bequeathed by the Founding Father. We swear to defend the Conservative Party to death. "

The man or men were no longer, but finally in the lagoon of their sorrows, they preserved their lives.

The symbolic representation of the Book of Terror had its gross advances in public demonstrations, for example, in the doors and windows of those who were targeted for death, painted red crosses rough. Also, the voice began to replace the written word: a boy of fifteen with acute and melodious voice gave a serenade in the early morning hours, before the house of the family chosen for the rite of collective death. And it was not by chance, the day after the family united in their blood had ceased to exist by reason of his political thought: well were simple results of the serenade.

After the script would crumpled papers developing a sound: that of death. The balanced pulse fingers of the murderer, after shooting with patience crossed off the names of the victims and mission accomplished, the crumpled paper returned to pocket. The official or vigilante assassin memorized the following name: the gun ready, oiled still hidden in the waistband, rested and dreamed that night.

With the resurgence of partisan violence in the decade of the fifties, the Scripture of Terror began to be written as a lasting imprint on the human body, dark-written script edge of the knife and machete, examples collected by Germain Guzmán Campos, in his formidable text, Violence in Colombia, part descriptive: To "leave no seed, women coming to give birth, they did the cesarean, changing the fetus by a rooster, "to not let the seed" was to deny the man of the opposite party the right to procreation, the "cut flannel" was a deep wound to the throat near the trunk, running with a sharp force machete on top of the neck, the "tie cut" was made with some skill through an incision below the lower jaw where posed as the victim's tongue, the language was hoisted on the neck, and waving in the air, with the "cut mica, the decapitated victim was leaving his head on his chest, the" French cut "ran stripping the victim alive, scalp, to represent the disgusting spectacle of a whitish, bloody skull, the "ear cutting" was checking the murder and the number of victims killed, the submission of the cardboard box full of ears preserved in lime, the "bird" or murderer received the agreed payment to the politician or the landowner.

late of the fifties and early sixties, that Scripture took on other forms of terror for his funeral announcements. In the departments of central Mexico, in the early morning or night, were heard on the radio programs with music dedications to loved ones: the love song with lyrics and beautiful memories, for dramatic irony became holy signal and receiving the murderer who listened to the radio, to meet immediately after the commitment to shoot on the life chosen. Around the same time, in public places in the bark of trees, stones in the roads appeared on stage with the withering phrase written: Wanted ... next to the photograph of the robber was accompanied by his long record and highlighted the economic value of the reward. It thus created a culture of collective accusation that has been raging in recent history. Then he would write other meanings to the public display of shot man's body: the coffin stopped and the procession headed by politicians and landowners who had supported and used in life, fake spat with hatred, his mourners wept as their victims crucified Him with insults, kicked him with the fury that carries the pain of the loss of a loved one. And the body of the man, about to break down continued its round display by all populations in northern Tolima.

Writing Terror The other contrarespuestas allegedly assumed messianic in defense of revolutionary principles, when read historical voice also order the shooting of fellow traveler on behalf of the people in the camps of the armed insurgency. The shelves of military brigades began to fill with spurious and accusatory word, in speeches and little scope Law in intelligence, against whom they accused of subversive and their supporters.
4
The poet makes suitcase. Not exactly
an expert at making bags for travel. Awkward for certain daily offices of man, for example, doubling the memory in endless folds, it needs an expert watchmaker diligence, searching for the most beautiful space of nostalgia, requires the rapid flight of the butterfly's pure wishful pollen retain for a moment the random image of the loving, mean thirst licking stone lost in the wilderness back to the voice of the return of instant photography, is like hitting the door walled infinitely in the fullness of the night to sort hundreds letters written by the hands of time, becomes a huge effort to put your finger on the heart of the white elephant. The suitcase open the jaws of time walking behind the shadow that looks the way the rest of a great and an old tree. The poet ends up making a lot knotted ties and memories, old shirts and sweat, deodorants and photographs, eventually crammed into the suitcase and anxiety burly man placed his knees on the leather and closes with a padlock.

Then, after eight days of thinking, in a few minutes put in a tula books that will be your company in a journey that others have found for him with the threat of a weapon on the head: All Neruda, all Alberti, all Vallejo, Joyce's Ulysses. He also labored for the time that runs like a bird of ill omen in the morning without reviewing the original package makes it possible to see the light of other eyes as readers in the future.

When he leaves his apartment and star gaze upon that street that has always been an eternal wanderer, the truth is that the poet feels collapse of life and body, the skin becomes public crying. Other streets in the world will be accompanied by their heavy steps. The car crazy with speed, while the poet is discussed in the confusion of his thoughts that are not yet the clarity of the firefly in the night full of rain, the rain finally closed. The electronic controls of the entrances to the airport can not detect the sadness of the poet, floating in the air like a flower that awakens the day. Before passing the customs controls, the poet retains the strength to hold on to his eight year old daughter, fleeing her eyes off the girl's eye, words have no sense of the promise of a speedy reunion. The daughter understands with playful laughter, you may be imagining a boat ride as near as the flight of the butterfly crossed by the colors of the rainbow. Then the poet embraces the huge arms to the body of his companion, his voice comes out the secret of life fruitful love, companionship and commitment, gait and miss two voices combine breath whispers and dreams in the mornings. Then walk with the score of the blind to be mounted immediately in that plane, which the engines turn is transformed into a huge cloud which surrounds the eye of the planet and run by a huge river and are lost in the immensity of the mountain.
5
In the morning he repeated the
ru been strident
handset, it sounded like a macabre melody, as he fell apart the door of the house or apartment, in the raid was scanned to the deepest of personal memories in the fog of old photographs. The question was accompanied by the coup in the face with a kick in the stomach, with immersion of the head in cold water and finally, as a result of the relentless torture, the torturer happy obtained the confession of the victim in the haunting shadows of more human suffering. Writing was the winning of terror imposed by the Security Statute. Bogota had become a city steeped in the mist of a rain-laden silence and omens. In the eighties

be imposed other models of writing, homage and slavish copy of how he writes his messages the Italian mafia, wrapped in gift paper, came at the hands of small, carved coffins target, began to notice the walls funeral notices inviting the funeral of the man who had died; a day in glorious afternoon sunshine, fell into the grass of the Pascual Guerrero Cali, in the middle of a tough game between America and Cali, the rain of paper with writing in announcing the appearance of the group called MAS. Would be the beginning of a very familiar dirty war against rebels who had become the mere thought of than the establishment. The Deed of Terror was built a long history, to build a whole symbolism about the mediations between life and death, the fear took on the appearance of being social, when it became fully collective and began to walk with the revolver in hand.
6
The wandering poet
oceanfront Malecon in Havana. Play with the child's imagination to reinvent everything. The immensity of the sea opens its limits in the eyes of the poet, she reveals the secrets of memory slips flying as a newly opened wound, on the edge of a knife murderer. The sea allows the poet to play with the swing of lifting heavy folds swell to flood the ocean sky Neruda, pregnant with infinite blue. The poet revives the remoteness of that geography of a country that flows and runs his own blood. The tidal wave that lifts his body several feet in height, took the beginning and end of the knot of the mountain range that runs after going through voluminous a breath of the country is carrying, the sea storms and peaceful resting his vision expands on that river who opens his big mouth to drink vast waters of the Atlantic Ocean which receives its dead floating in the water the color of blood, like an old friend of trips deep, the sea built homes, buildings and streets of a city that thickly covered the existence of more than 2700 meters above sea level and the poet tries to walk on his own footprints to reach the voice that had long been called by their names to all your friends, the sea in quiet lulls an old dream of the poet him like a leader of thousands, in various parks harangue that mass restless with all the poems of his favorite poets, roaring mass in tone and with the movement of the force involved in the passion for what he loves dearly. The sea is following in the footsteps of the poet, when walking slow because of the length of the Malecon cement and hearing him say in secret, with all his wisdom: "Poet, all nostalgia draw lines on the map of man and you balance them with the pain and the distance image, located around the world ... "Alegre, the poet tried to run but your body accustomed to cigarettes and alcohol, obedient only walked the steps as usual. The poet as a breath of life is rocking the full beard, look forward and walk with your head up, like writing prose poetic. The sea of \u200b\u200bfriendly knots accompanied by tidal waves, damping each poetic achievement in their thoughts.
7
Today on Bogota
a troubled winter looms: at the crossroads of the streets, in the light of day is divided into leaflets again Writing Terror threatens with pistol in hand and words of death, thought and independent lives. The gross Writing has become public policeman gestures, laughter, hugs and love secrets. This Scripture also has invaded as a growing plague classrooms of colleges and universities in rounds of relentless censorship against those who build knowledge and culture. The same is true in areas where human rights are discussed. Then, with the will to impose fear when you display your laughter, writers, journalists, anthropologists, teachers, opened their bags to imprison in their mouths all the memories, and any night furtive and hidden in the mist, he decides a trip to the strength, warm with the hope that resonates deep within the limits of human geography. You may also return to the country, the time of the silence that makes the man a helpless, mute in his gestures, his thoughts autism, riddled with the fear that shakes the look and quiets the heart rhythm, as if trapped in a huge cave cockroaches.

8
The poet walks slowly through the winding streets of Old Havana. Lost, by the way distant thoughts in those labyrinths that seem to cross streets shaking hands and hugging poachers in areas that never find the door, window and ladder and suddenly the light falls like a beam of bright lines in unexpected rain. The poet José Luis Díaz Granados remembered as punch to the chin, the painful experience as if I had heard before him, the great Argentine poet, Juan Gelman: "I think that it is a harsh punishment of exile. For the Greeks the exile was a harsh punishment, worse than death. I know it is not exactly true, but yet you know it and you're feeling. "Of course he is feeling, his life off right now as endless stream of anxious and thirsty thousands of fire ants, latitudes of memories and nostalgia , field of dreams and I walk, affected spaces and misunderstandings. Exile is hard to walk to force in other places, provided with feet and other thoughts. The uprooting acquired the stature of the skeleton: the bones fall apart in the dusk of winter in the desert. But the critical attitude of the poet's other bridges of compensation: life is open to new blank pages to be written, with the value it takes to survive on the edge of a deep precipice.

The poet knows in the months you have lived in the sunshine of this wonderful town and the word gesture of solidarity that the people in each of their hugs: you must write to the frenzy of someone who is about to be executed in the scaffold, written as salvation and gun at once, the word that creates beauty and leads man to enjoy deep inner emotions. We know that the poet is writing as a lifeline. The Deed of Terror must be to end a retaining wall one day very soon, so that travelers to the force can return to their private territory, together with the cry of friendship and embrace durable. The Writing Life sown wilted flowers on the grave of the Book of Terror.

The poet holds its breath, gives a momentary pause its memory and awakens longings in the final lines of his poem "Phone Book" and mumbles like drinking water from a giant glass jar:


Today however, anxious to colors,
eager to be alive among the living, how I wish to tell
both friend
there will be no erasures on my agenda, the colors will

to remember that I dial the number of smiles:
red, for which manufactures sighs
the blue for the hidden on other days,
green, for the companion of letters and struggles
and black, indelible
colorless misery to sink in the mud the name of the beast!




Wednesday, October 18, 2006

Black Hair And Blue Eyes

Goodbye, Arturo Alape. Cambio


Arturo Alape
Farewell (1938-2006)
Change Magazine, October 16, 2006
Carlos Arturo Ruiz was the real name of this historian, writer and painter in the 60's decided to change his name as a tribute to James Prías Alape, a farmer co-founder of the FARC. Marxist affiliation, ideological proximity to the guerrilla group that allowed him to approach Manuel Marulanda Velez, Sureshot, and so he wrote two biographies of Commander: The Lives of Pedro Antonio Marín, Manuel Marulanda Vélez-Tirofijo (1983) and Tirofijo: Dreams and mountains (1994). But it was on 9 April and the assassination of Gaitán the issues that most passionate and on which he wrote: Bogotazo: Memory of Forgetfulness (1983); Bogotazo: Night Birds (1984) and The Bogotazo: peace, violence : Witnesses of (1985), works for which he was considered the author of the unofficial history of the country. His latest novel, The corpse unburied (2005), could not escape that passion. He lived several years in exile, first in Cuba and then in Germany, taught at several universities and spent his last years mainly to painting. He died in Bogotá.

Monday, October 16, 2006

Crazyways To Jack Off

GOODBYE TO A GREAT ...

Qepd
This picture, taken by Carlos Duque months before the death of Arturo Alape becomes the best tribute to the painter and writer Cali, who died on 7 October. (Photo and Text in El Pais, Cali, Sunday, October 15, 2006 (pág.D-26). Living, Voices & murmurs.)


--- ADIOS TO A LARGE


GOODBYE TO A GREAT MAGAZINE
ARCADIA, No. 13 October 2006. P. 5
On October 7 died in Bogotá Carlos Arturo Ruiz. Arturo Alape , as he signed his texts since a guerrilla Journal published in 1970, was a man committed to the history, literature and d craft of journalism. Although he hated the rankings and I thought the writing was a lonely and fed on all disciplines, his book on The text is a brilliant Bogotazo journalistically speaking. Alape lived in an apartment next to the Harlequin Theatre in Bogota. He had a huge study where he painted his tormented beings. He spoke frequently and with the same emotion of his daughter Paloma on his literary projects. Last year he published The unburied corpse, one of those stories that he was persecuted for a long time, a debt to the memory and friendship with one of the great writers of the forties and fifties, Felipe González Toledo. He was emphatic, defending their ideas and vision of the world. He remembered with bitterness the time of exile who lived in Germany. In recent years suffered a painful cancer that took him to 67 years. Arcadia deeply regret his death. + + +

PARTNERSHIPS FOR COCA-COLA CRIMINAL
Iván Cepeda Castro
fm_cepeda@yahoo.fr
THE SPECTATOR, October 14, 2006
http://www.elespectador.com/elespectador/Secciones/Detalles.aspx?idNoticia=1029&idSeccion=25
... ( At the end of the column)
Arturo Alape is one of the creators of human memory in Colombia. In his last months, in addition to the penalties that caused the disease, had to fight a legal battle with its EPS to purchase needed medications. Another of the outrages of the private system of "health." His literary work is a testimony of historical truth. ---

Alape Memories
Blackboard. Victor Rojas Dius
El Pais, Cali, October 16, 2006 http://www.elpais.com.co/historico/oct162006/OPN/piza.html

Three vignettes about the same event.

First, a police officer watched helplessly Armerillo looting of a small headquarters near Government House. He knows that any negligence can garner popular anger and he prefers to play dumb. Suddenly, one of the robbers, not satisfied with the gun, decides to go for a pair of boots. The officer pleads: "Take what you want, but not my drugstores." Who

tells the story, and is leading the assault, laughs.

Second: in the mutiny, and most likely in a main road, raining down from the windows, desks, chairs, filing cabinets, telephones, floor lamps and paper. Below, the crowd begs for more and more. A typewriter flies to run into the platform. A man is expected to others and makes the metal wallet. When everybody thinks they will leave with her as booty, the type of lifts and drops so violently that some pieces out of place. Then, systematically, a gesture again and again until exhaustion.

character asks himself if this is anarchy pure.

Third, it is dawn and the outlines of a squad of armed men are portrayed on the hills that serve as background. The fog obscures what lies behind the sound of an engine running ahead. Fear can be said that an army tank. All are placed in a firing position. The most inexperienced are still standing. Two lights in the background of the road.

Stop!, Shouting that still have a voice. Threatens to leave the car over them. There are some warning shots and the driver turns the tide to climb on a pile of rubble. Come out with your hands up! "Shouts one of the soldiers of the picket. A man and two women, few clothes and modesty, peer through the gates and surrender in the midst of their own laughter. All three are more drunk than a legion of Cossacks.

"This is not serious," thinks the same character.

are stories of April 9, 1948 and have two common elements: Fidel Castro, who goes from laughter to the decision to move to Bogotá because it seemed "not serious" what happens. So she told Arturo Alape many years.

Arturo Alape or Carlos Arturo Ruiz, his real name, was more than the biographer of Manuel Marulanda Vélez. There are your memories of Oblivion. Memories with which managed to prevent the assassination of Gaitán out step routine for generations later.

His technique to reconstruct one by one all the aspects of the assassination, with the voices of all parties to the conflict and no arabesques, totally far visceral lessons about Goths and clubs with which we grew up and where much hatred and trouble from haunt us today.

I am satisfied that Arturo Alape has died in his bed at the age of 67. And though it hurts his death, because he left the freelance writer and contradict the unofficial history of this country, I feel better if you have loaded the leukemia and not their enemies, those who dreamed of him lying in a street, shot dead in the back. The man flew them forever.
Paloma
A hug his daughter.

Friday, October 13, 2006

Plus Sizes In Walden Galeria

FOREVER ... (2). Katie.

ALWAYS UP FOR KATIA
Paloma Ruiz, Katia González, Nicolás Sandoval (Katie's son) and Alape.
Hamburg in the winter of 2001
Photo: Mohamed Badache, Algerian photographer.
thank Katia sending the photo.
.
From: KATIA aalape3@yahoo.es
Sent: Thursday, October 12 2006 03:15 pm

Dear friends:

After nine days of hospitalization in the clinic Jorge Piñeros Corpas, Arturo is definitely of this world goodbye on Saturday October 7 at 11:00 PM. On Thursday of last week with a faint voice, told me: "write a message and tell my friends about my health situation," adding "thank them for the gesture of solidarity in honor of the Teatro La Candelaria." The delicate state of health was worsening day by day, I had time to warn them. I know many of you have heard from friends or in the newspaper on the internet. Arturo

entered the clinic on September 28 to undergo intravenous chemotherapy. The expensive drug, Glivec, which we place so much hope in him, so acute state of illness contributed nothing, rather brought despair. Since Tuesday afternoon began a tough process for Arthur because his body broke a multisystem failure. On Friday night he was revived and on Saturday we accompany every minute until the end. At 10:45 of night dismissed his daughter Paloma , and in the next fifteen minutes we accompany Olga Restrepo, his second wife, and me.
A loving act of farewell.

Our dear friends, I was the love of life was a great human experience sharing with him, knowing the man, the intellectual with deep convictions.
The great task henceforth is to measure the great legacy he left behind Arturo Alape and this task would have you.

big hug for you on the mountain and the river that Arthur used to send. Katia

-------------

Arturo box in front of his mother, Transito Ruiz.
This picture was painted
Alape in the year 1,999.
Photo: Katia Arthur family.
This was one of the photos that were placed beside the coffin *.
* See: http://arturoalape.blogspot.com/2006/10/adios-maestro-segunda-publicacin.html

thank Katia sending

photography

"The will of Arthur was that his ashes be scattered in Cali." Katia
will be announced the venue and date.

Thursday, October 12, 2006

My Friend's Hot Mom Amber Lynn

FOREVER ... . Katie. Other texts

HASTASIEMPRE
DE KATIA
Sent: Thursday, October 12, 2006 03:15 pm

Dear friends:

After nine days of hospitalization in the clinic Jorge Piñeros Corpas, Arturo is definitely of this world goodbye on Saturday October 7 at 11:00 PM. On Thursday of last week with a faint voice, told me: "write a message and tell my friends about my health situation," adding "thank them the gesture of solidarity in honor of the Teatro La Candelaria. " The delicate state of health was worsening day by day, I had time to warn them. I know many of you have heard from friends or in the newspaper on the internet. Arturo

entered the clinic on September 28 to undergo intravenous chemotherapy. The expensive drug, Glivec, which we place so much hope in him, so acute state of illness contributed nothing, rather brought despair. Since Tuesday afternoon began a tough process for Arthur because his body broke a multisystem failure. On Friday night he was revived and on Saturday we accompanied minutes a minute until the end. At 10:45 pm his daughter Paloma was dismissed, and in the next fifteen minutes we accompany Olga Restrepo, his second wife, and me.
A loving act of farewell.

Our dear friends, I was the love of life was a great human experience sharing with him, knowing the man, the intellectual with deep convictions. The great task henceforth is to measure the great legacy he left behind Arturo Alape and this task would have you.

big hug for you on the mountain and the river that Arthur used to send. Katia

+ + +

ARTURO ALAPE
For Isaiah G. Peña
http://apuchayas.blogspot.com/2006/10/arturo-alape.html Monday, October 9, 2006
thank Carlos González Gómez
casa_de_citas1992 @ yahoo. is sending text (Oct. 12/06)

I had great trouble learning to tell Arturo Alape, because he always told by your name: Carlos. But once, indirectly, I wondered why I could not tell as already included in his many books. And now he had learned to tell Arthur, has died. He died on 8 October, as if to commemorate the death of Che Guevara. You can be laughing and be proud. His devotion to the revolution of the new man was always non-transferable. We met at the beginning of the decade of 70, founded the Red Dot group of literary and political, taught me what was the membership in the Communist Party, Red Dot magazine did, we managed to take several books with the imprint, then we separated a little, among other things because of his exile, he did some interviews and wrote some articles about their stories that were published in national and provincial press, and then life and faith in a more just future for man, kept us together until her death because of a leukemia faced for more than a decade.
I have known him to Cuba in 1976, since 1975, when he was sworn of the Casa de las Americas Prize, I take with Roberto Fernandez Retamar.
His books are many and important, literature, testimony, history. And never forget his obsession with a teacher for the socialist revolution, for a democracy that we have ever had in the country, its intolerance attacks, which always orchestrated with his strong irony, with its black humor, the only permissible arrogance: the popular will.
Today in painful departure, three of his four wives was fired, and his son Manuel and his daughter Paloma, with inconsolable crying: Olga Restrepo, Olga Garcia and Katie, she bore him in his last exile and his long agony. Teresa, his first wife, had said goodbye to him on Friday October 6, before traveling to Cuba.
The ritual was secular, with a text written for the occasion by himself, in the words of his friends and with a batch of boleros performed by the Sonora Matancera.
The death of Charles, Arthur, I was impressed, and I was overwhelmed the terror of knowing that the memories we shared, now hopelessly divided. The river can not be returned, is what I feel. And I get the fear.
not thought of it in San Jose del Guaviare, where Benhur received, at breakfast time, the news from Sara. I knew I had to die because his fight had been long and intense. Today it is the story of our past, we had in common from when young tried to build the country, which has split. Who will use to ask about things that happened around us? The misfortune of time is the forgetfulness, that they he wanted to put coordinates in many of his books.
And I cheated because I thought back to save again, as so often before, after their transfusions. Must see him next week, and with his death and oblivion will take care of us. (That's why I cry.)
posted by Isaiah @ 10:28 PM


Wednesday, October 11, 2006

The North Face Breast Cancer Denali

GOODBYE, TEACHER ... (Fourth issue)

ARTURO ALAPE
Cali, November 3, 1938 -
Bogotá, October 7, 2006, 11 pm .... Goodbye

MAESTRO ...
We are deeply saddened ...
Yet in his memory, sing and hear boleros ... ---
** Fourth publication (October 11, 2006) text, messages, comments, etc. after their death
* Third study (Oct. 10, 2006) can be viewed at http:/
/ arturoalape.blogspot.com/2006/10/adis-al-maestro-tercera-publicacin.html
* The second publication (October 9, 2006) can be viewed at:
http://arturoalape.blogspot. com/2006_10_09_arturoalape_archive.html
* The first publication (October 8, 2006) can be viewed at:
http://arturoalape.blogspot.com/2006/10/arturo-alape-adis-maestro-estamos.html
+ + +
OF
Daniel Samper Pizano
...
GOODBYE TO ALAPE. Arturo Alape was a great storyteller (his book Tirofijo deaths remains a classic of the genre) and the most knowledgeable historian on April 9. His death deprives us of a great storyteller, a chronicler excellent and left a man of exemplary coherence.
DE: Two months of Uribe 2: the compass lost (Fragment final)
BY Daniel Samper Pizano * cambalache@mail.ddnet.es
TIME, Oct. 11, 2006
http:/ / www.eltiempo.com/tiempoimpreso/edicionimpresa/opinion/2006-10-11/ARTICULO-WEB-NOTA_INTERIOR-3280296.html
+ + +
ALAPE ARTURO AND THE "MEETING OF WRITERS IN Caicedonia"

Speaking at the November meeting of 2005
Photo: MIC NTC ...
Mural developed by students of the College of Our Lady Immaculate and presented in the central courtyard during the November 2005 meeting. On the back of the books are appreciated most name works Arturo Alape. (Photo: NTC MIC ... )
TO THE MEMORY OF ALAPE
For Manuel Bermúdez
Tiberio
http://www.redyaccion.com/Arturo% 20Alape.htm (MATRIX: http: / / www.redyaccion.com/ )
Photo: http://www.redyaccion.com/fotos/alape.jpg
The news of the death of Arturo Alape , on Saturday 7 October in Bogotá , whose real name was Carlos Arturo Ruiz, I hit hard on the soul. Since 1998 visitor was applied every two years Caicedonia to keep the appointment that we put the organizers of The Gathering of Writers for Peace in Colombia.
We made friends with him, his way of being, their vertical positions as their life, their joy and their spicy comments called laughter. Caicedonia all, he recognized when he walked through the streets and violence marked the past you had to suffer to that piece of land Valle del Cauca. Many conservatives
cartoons made by the activity that developed during the event to relax or to congratulate those who were put between his eyes and his sketchbook.
I keep a piece I wrote when in 2000 (if I "desfechado) accompanied us to find Writers, but those who read beyond the words we say or shut up his eyes look sad. It was the last time he was in exile under pressure from violent forces lurking living in this country of violence. The text is as follows:
"We invite a second time, and then again said yes to the call for CORPOCAICA.
came loaded with thoughts, vertical position as it has always taken over his life, but you could see the sadness. Could further affect the discretion and questioned him for that sad brightness hid deep in his eyes and hinted in every sentence, every word, every smile silent that something was wrong.
with muted voice, so that the wind did not discover his fears, he said "I leave the country" does not need more words, I realized that once again the hatred of war in a country of hatred, it condemned, as so many others, exile, deportation, to flee to protect only truly valuable thing we human beings: life.
His presentation said it all for those who find the words that others huddled not watching. His presentation had the taste of a goodbye that would not give. The title: "The Poet in Exile" . Final in Alape began by pointing saying
"Scripture of Terror in Colombia, announced that writing and spread by sick minds and a barren hate, has a long history. It is a book that seeks to create in the man alluded to, the tingle of your skin when you get up with the frost of fear and his breath stirred a dull buzz becomes a worm stuck in their mouth.
is a book that handcuff the man whom it is addressed, the inertia of their own helplessness, it stirred his emotions unknown dimensions and upsets his own interiority. Fearing the man becomes a living dead to walk everyday, to disguise their body with clothes outside and different thoughts.
are many symbolic meanings Writing this perverse: representation of death that comes without announcement, the Chinese fear as drip hits the consciousness uncertainty that covers the eyes with the dark perpetual suspicion and distrust of the inner circle and loving family affections, the prelude imaginary growing hatred and revenge against an unseen enemy. "
And from the possibilities offered by condemning his conviction for us to sensed: "The voice caged in a premeditated silence again foreshadowing the announcement of the threat decreed in writing: the poet picks up the phone nervous in the hours of the morning no one answers, just listen to the purr of a cough inaudible, the poet release the device and brought uncertainty not fall asleep, the phone rings, it is raised, not answered, the other side of the line meets the ominous rumble of a cough. Try sleeping
embraced the body of his companion, who wakes up has not lost its hustle details nervous. Open eyes on the poet, leafless trees fall like hundreds of butterflies who are fleeing the dream could not catch them. He seeks refuge by crying silently dying as a monosyllabic, fragments of a poem of his, "scratchpad"
Every friend is alive in my book. / His name written there recreates my affection / printed red signs in babbling blue / dark green-key in poring slogan or line their own paradise ./... And if he gets a friend, a partner / as black beam that stiffens their steps / must clear their names of wine or doves / and so the van crossing my trembling dedos. / .Quizá he also might delete your name from your address book notes, to become invisible as a man and a presence in undecipherable arabesque, lost and crushed in small white pages. The poet has received three pamphlets with death threats, for presiding over an institution of solidarity with Cuba and the innocence of his actions and his firm, which others use as political and ideological rubble. " Grief hits us
every word, every turn verbal, each complaint that involves more than their integrity. "The symbolic representation of the Book of Terror had its gross advances in public demonstrations, for example, in the doors and windows of those who were targeted for death, painted red crosses rough. Also, the voice began to replace the written word: a boy of fifteen with acute and melodious voice gave a serenade in the early morning hours, before the house of the family chosen for the rite of collective death. And it was not by chance, the day after the family united in their blood had ceased to exist by reason of his political thinking: so simple were the results of serenade.
Then the script would crumpled papers developing a sound: that of death. The balanced pulse fingers of the murderer, after shooting with patience crossed off the names of the victims and mission accomplished, the crumpled paper returned to pocket. The official or vigilante assassin memorized the following name: the gun ready, oiled still hidden in the waistband, rested and dreamed that night. " We went
Alape and his absence hurts ... ..

Can Gallstones Cause Pain In Hip

Goodbye MASTER ... Fourth Release. Goodbye

ARTURO ALAPE
Cali, November 3, 1938 -
Bogotá, October 7, 2006, 11 pm ....
Goodbye MASTER ...
We are deeply saddened ...
Yet in his memory, sing and hear boleros ... ---
Fourth publication (October 11, 2006) text, messages, comments, etc. after their death
* Third study (Oct. 10, 2006) is shown in http://arturoalape. blogspot.com/2006/10/adis-al-maestro-tercera-publicacin.html
* The second publication (October 9, 2006) can be viewed at: http://arturoalape.blogspot.com/2006_10_09_arturoalape_archive. html
* The first publication (October 8, 2006) can be viewed at: http://arturoalape.blogspot.com/2006/10/arturo-alape-adis-maestro-estamos.html

picture in http://www.redyaccion.com/ Action Network and
...
GOODBYE TO ALAPE. Arturo Alape was a great storyteller (his book Tirofijo deaths remains a classic of the genre) and the most knowledgeable historian on April 9. His death deprives us of a great storyteller, an excellent writer and a man left of copy consistency.
DE: Two months of Uribe 2: the compass lost (Fragment final)
BY Daniel Samper Pizano * cambalache@mail.ddnet.es
TIME, Oct. 11, 2006
http://www.eltiempo.com/tiempoimpreso/edicionimpresa/opinion/2006-10- 11/ARTICULO-WEB-NOTA_INTERIOR-3280296.html
+ + +
TO THE MEMORY OF ALAPE
For Manuel Bermúdez
Tiberio
20Alape.htm http://www.redyaccion.com/Arturo% (MATRIX: http://www.redyaccion.com/ )
Photo: http://www.redyaccion.com/fotos/alape.jpg
The news of the death of Arturo Alape, on Saturday 7 October in Bogotá, whose real name Carlos Arturo Ruiz was, I hit hard on the soul. Visitors since 1998 was applied every two years Caicedonia to keep the appointment that we put the organizers of The Gathering of Writers for Peace in Colombia .
We made friends with him, his way of being, their vertical positions as their life, their joy and their spicy comments called laughter. Caicedonia all, he recognized when he walked through the streets and violence marked the past you had to suffer to that piece of land Valle del Cauca. Many conservatives
cartoons made by the activity that developed during the event to relax or to congratulate those who are put between their eyes and their Book drawing.
I keep a piece I wrote when in 2000 (if I "desfechado") joined us for a meeting of writers, but those who read beyond the words we say or shut up his eyes look sad. It was the last time he was in exile under pressure from violent forces lurking living in this country of violence. The text is as follows:
"We invite a second time, and then again said yes to the call for CORPOCAICA.
came loaded with thoughts, vertical position as it has always taken over his life, but you could see the sadness. Could further affect the discretion and questioned him sad for such brilliance that lay deep into their eyes and hinted in every sentence, every word, every smile silent, that anything was wrong.
with muted voice, so that the wind did not discover his fears, he said "I leave the country" does not need more words, I realized that once again the hatred of war in a country of hatred, it condemned, as so many others, exile, deportation, to flee to protect only truly valuable thing we human beings: life.
His presentation said it all for those who find the words that others huddled not watching. His presentation had the taste of a goodbye that would not give. The title: "The Poet in Exile" . Alape definitive in pointing began by saying:
"Scripture of Terror in Colombia, announced that writing and transmitted by sick minds and a barren hate, has a long history. It is a book that seeks to create in the man alluded to, the tingle of your skin when you get up with the frost of fear and his breath stirred a dull buzz becomes a worm stuck in their mouth.
is a book that handcuff the man whom it is addressed, the inertia of their own helplessness, it stirred his emotions unknown dimensions and upsets his own interiority. Fearing the man becomes a dead man walking everyday live, to disguise their body with clothes outside and different thoughts.
are many symbolic meanings of the Scripture perverse: representation of death that comes without announcement, the Chinese fear as drip hits the consciousness, the uncertainty that covers the eyes with the dark perpetual suspicion and distrust of the inner circle family affection and love, the imaginary prelude growing hatred and revenge against an unseen enemy. "
And from the possibilities offered by condemning his conviction for us to sensed: "The voice caged in a premeditated silence again foreshadowing the announcement of the threat decreed in writing: nervous poet picks up the phone in the hours of the morning, no answer, just listen to the purr of a cough inaudible, the poet releases the device and brought uncertainty not fall asleep, the phone rings, it is raised, no answers, on the other side of the line answers the ominous rumble of a cough. Try sleeping
embraced the body of his companion, who wakes up has not lost its hustle details nervous. Open eyes on the poet, leafless trees fall like hundreds of butterflies who are fleeing the dream could not catch them. He seeks refuge by crying silently dying as a monosyllabic fragments of his poem, "Book notes ":
Every friend is alive in my book. / His name written there recreates my affection / printed red signs in babbling blue / dark green-key in poring slogan or line their own paradise ./... And if he gets a friend, a partner / as black beam that stiffens their steps / must clear their names of wine or doves / and so the van crossing my trembling dedos. / .Quizá he also might delete your name from your address book notes, to become invisible as a man and a presence in undecipherable arabesque, lost and crushed in small white pages. The poet has received three pamphlets with death threats, for presiding over an institution of solidarity with Cuba and the innocence of his actions and his firm, which others use as political and ideological rubble. "
Grief hits us in every word, every turn verbal, each complaint that involves more than their integrity. "The symbolic representation of the Book of Terror had its gross advances in public demonstrations, for example, in the doors and windows of those who were targeted for death, painted red crosses rough. Also, the voice began to replace the written word: a boy of fifteen with acute and melodious voice gave a serenade in the early morning hours, before the house of the family chosen for the rite of collective death. And it was not by chance, the day following the family united in their blood had ceased to exist by reason of his political thinking: so simple were the results of the serenade.
Then the script would crumpled papers developing a sound: that of death. The balanced pulse fingers of the murderer, after shooting with patience crossed off the names of the victims and mission accomplished, the crumpled paper returned to pocket. The official or vigilante assassin memorized the following name: the gun ready, oiled still hidden in the waistband, rested and dreamed that night. " We went
Alape and his absence hurts ... ..


Tuesday, October 10, 2006

Aurora Snow Jenna Haze

MAESTRO ... Third Publication.

ARTURO ALAPE
Cali, November 3, 1938 -
Bogotá, October 7, 2006, 11 PM.
... Goodbye
MAESTRO ...
We are deeply saddened ...
Yet in his memory, sing and hear boleros ... ---


Third study (Oct. 10, 2006) text, messages, comments, etc. after their death
* The second publication (October 9, 2006) can be viewed at http:/
/ arturoalape.blogspot.com/2006_10_09_arturoalape_archive.html
* The first publication (October 8, 2006) can be viewed at:
http://arturoalape.blogspot.com/2006/10/arturo-alape-adis-maestro-estamos.html
+ + +

GOOD BYE XX century chronicler
El Pais, Cali, October 10, 2006
http://www.elpais.com.co/historico/oct102006/VIVIR/cronista.html
Photo: http://www.elpais.com.co/historico/oct102006/fotos-periodico2/vic3oct10-06n2, photo01.JPG As he had wanted only close friends and family members gave the farewell the writer Arturo Alape. The Country
Colprensa I Colprensa Agency - Bogotá.
In a meeting place for writers and became friends at the Funeral Los Olivos, in two of the second floor room, where he remained until noon on Monday, the body of Arturo Alape.
upon request of the writer, researcher and historian, was not the traditional mass and his body was cremated on the premises of Gardens of Remembrance.
In return, his friends and family held a kind of literary circle, around the lasting legacy created by a writer who devoted himself to depict in his book versions of the twentieth century Colombian history hidden even at the risk of their own life.
The author had also requested that only join him in his family farewell and a small group of friends.
And it was. In groups of three or four people could not stop talking about the various issues which revolve the work of this writer Cali.
was recognized in the distance the poet Juan Manuel Roca or his editor, Gabriel Iriarte, who believed in each of the historical buildings that made Alape and were reflected in voluminous books.
The theme of the April 9, 1948, which was perfectly aware, was the favorite in this spontaneous gathering with his works as "The Bogotazo" or "the unburied corpse."
precisely 'The corpse unburied "was the last novel by the author. It took more than three decades of work. He had desires to complete before the leukemia was winning the battle, to fulfill a promise to the court chronicler Felipe Toledo.
Other attendees were devoted to recalling the bibliographic volumes about the controversial left Tirofijo, who shared ideals and who then kept a respectful distance from the road to fight the FARC guerrilla army took.
was really short time to cover the immense legacy left by an author who did elites Colombian literary, but marked as a writer and historian, a route that always hoped that new generations continue to acknowledge and explore, not just stay with the official versions. Arturo Alape
, whose real name was Carlos Arturo Ruiz , fought a decade against leukemia. Last Saturday at 11:00 pm, he died one week after being admitted to the Clinic Corpas Jorge Oliveros, in northern Bogota.
+ + +

Reflections "WAR AND DOES NOT MAKE SENSE"
El Pais, Cali, October 10, 2006
http://www.elpais.com.co/historico/oct102006/ LIVING / litera.html
PHOTO: http://www.elpais.com.co/historico/oct102006/fotos-periodico2/vic3oct10-06n1, photo01.JPG With calm voice, the writer of 'The Bogotazo', decided in 2003 to grant this interview the student of social communication Francisco Calderon, to reflect on the practice of journalism and its role in Colombia's armed conflict. Photo
I
The Country three years ago, during the III National and International Writers for Peace held in the municipality of Caicedonia , the late author Cali referred to journalism. "Peace is not the voices of the dead, for this reason we must make a national reconciliation dialogue." "The solution to this conflict is in the exercise of politics. "
By: Francisco Calderón - El Pais
Special
What do you think of Colombian journalism?
I would like to discuss two aspects. The first, concerning how it is taking this exercise in a globalized world.
In this regard, I must say that the essence of journalism is being lost, and that newspapers are being filled by ads, text shifting production from journalists.
journalism is being done in Colombia today is a shadow of that which was done in the past.
The second aspect related to armed conflict in the country. A clear demonstration of the nature of this business is the lack of a critical nature of many media. There is a separate exercise. It is rather a journalism that says, taking advantage of the facts.
What reasons have to argue this?
I lived very close to peace talks between the Pastrana government and the FARC in Caguan.
Given this fact, the Colombian journalist did not take a reflexive stance, but took an attitude of marking.
That shows that this exercise is far from a research position at the time of announcing the fact.
This leads to the journalist is a harbinger of disaster.
Is pluralism in Colombia? Little
. The country knows only an opinion journalism, as in Colombia there is only one national newspaper.
regional publications are good, but that does not guarantee that there is a set of opinions different from those that hold the owners of that one national newspaper.
Do you believe in the powers of communication are being given a good preparation for future journalists? Unfortunately
print journalism faces the emergence of the image.
For this reason, these powers do not exist elements humanities that will enable students to develop intellectual skills such as writing exercise.
Most students do not read, making it difficult for these will contribute to the office and I say knowingly.
Therefore, communication students do not have the resources to compete professionally in the field of journalism.
What actions can be taken to overcome the armed conflict?
first thing that must be undertaken to overcome the tragedy in Colombia, is to hear the voices that have been excluded in the formation of power. Those voices that have been hit by the players in the war. When I speak of other voices, I'm referring to civil society.
is listen to these people because they are the ones that realize this country, for this reason you must create a power which they represented their aspirations and needs. The solution to this conflict lies in the exercise of politics.
If the exercise of politics is the choice for ending the conflict, then it is invalid the use of weapons by insurgents ...
policy option has cost much blood. Many have died because they sought ways to solve the country's problems.
The war has left dead on both sides, has also spilled blood of civilians who believe in political solutions. The country does not need more dead to achieve peace.

In his own words
"There are many voices of civilians who have been silenced by violence. I am one of those voices. In Colombia it must reach a reconciliation of these voices, and that violence only brought us a flood of tears and pain. " Arturo Alape, painter and writer.