From: Orlando Cajamarca dirgeneral@esquinalatina.org
Sent: Wednesday, October 25, 2006 9:45 a.m.
To: zaid@emcali.net . co Luis Alberto Díaz Martínez
Subject: Re: The folly or foolishness
missing
Dear Lucho was not so. But I share the spirit of your rant. A big hug Orlando
missing
Dear Lucho was not so. But I share the spirit of your rant. A big hug Orlando
+ + +
From: Luis Alberto Diaz Martinez, zaid@emcali.net.co
Sent: Monday, October 23, 2006 9:02 a.m.
To: Log Arturo ALAPE aalapeblog@gmail.com
Subject: folly or foolishness missing
The folly or foolishness
missing By Luis Alberto Díaz Martínez *
The folly or foolishness
missing By Luis Alberto Díaz Martínez *
A historical and literary work, humanistic, strong and consistent as that of Arturo Alape, defends alone. Over the days and years will tell, and enlightened people (not hypnotized or idiotic) of our country. Everything has its time. At the end of the figurative and the desire for fame at any cost is only for the priests of the ratings, the rutilancia and religion of success so dear to those who think more or better than everyone.
Hence the sensationalist attacks against Julio Cesar Londoño Arturo Alape and his work, typical of the sensationalism that characterizes the media clowns, can only rest in the gutter of mediocrity and used to make a precision:
The stark reality for its pyrotechnic nature itself is a facile appeal of mercenary scribes who "are legion" at the mercy of the usual owners of economic power ancient political and Colombia. Therefore, the pose, such write-of freethinkers that legitimate freedom of the press with its boldness of enfants terribles (stale and senile) or cuentachistes simply limited and informal sheep keep oiling the machinery of the Establishment avid fan not stops yelling and threatening those who do not join the chorus infamous ass-kissing.
is clear, therefore, assumed that the media servility as a vocation (as always near the selling or rogue) has not only proven to be very profitable in different orders but also an effective technique for shock shift Correveidile Climbing the pantheon the "recognition", especially if it is based on the great collection of beasts that make necrophagy scavengers.
* independent writer and communicator.
* independent writer and communicator.
+ + +
INTRODUCTORY NOTE
Dear friends:
Cordial greetings. It is quite likely that you have already read and commented on the column Julio César Londoño in El Pais yesterday. If for some reason did not see it, here reproduced as a point for discussion that allows us - if appropriate - to reinforce the recognition and admiration we had, and shall have ALAPE MASTER as a human being and as a creator. Have known him closely, knowing much of his biography and his work and the many views and comments from critics and analysts allowed him and his writer and artistic production are sufficient grounds to be in total disagreement with the majority of Julio César Londoño written. And it will have to invite you to read and see the work of analysis Alape and other critics and writers - much more authoritative than the columnist - made about her and the man was .... So far, only this concept:
GOODBYE TO ALAPE. Arturo Alape was a great storyteller (his book Tirofijo deaths remains a classic of the genre) and the most knowledgeable historian on April 9. His death deprives us of a great storyteller, an excellent writer and a man of exemplary coherence left.
(DE: Two months of Uribe 2: the compass lost (final fragment.) BY Daniel Samper Pizano * cambalache@mail.ddnet.es TIME, Oct. 11, 2006
http://www.eltiempo.com/tiempoimpreso/edicionimpresa/opinion/2006-10-11/ARTICULO-WEB-NOTA_INTERIOR-3280296.html )
And back Katia's words: "The great task henceforth is to measure the great legacy he left behind Arturo Alape ..." .
Sincerely, Gabriel Ruiz / NTC ... / y Blog http://arturoalape.blogspot.com/
Cordial greetings. It is quite likely that you have already read and commented on the column Julio César Londoño in El Pais yesterday. If for some reason did not see it, here reproduced as a point for discussion that allows us - if appropriate - to reinforce the recognition and admiration we had, and shall have ALAPE MASTER as a human being and as a creator. Have known him closely, knowing much of his biography and his work and the many views and comments from critics and analysts allowed him and his writer and artistic production are sufficient grounds to be in total disagreement with the majority of Julio César Londoño written. And it will have to invite you to read and see the work of analysis Alape and other critics and writers - much more authoritative than the columnist - made about her and the man was .... So far, only this concept:
GOODBYE TO ALAPE. Arturo Alape was a great storyteller (his book Tirofijo deaths remains a classic of the genre) and the most knowledgeable historian on April 9. His death deprives us of a great storyteller, an excellent writer and a man of exemplary coherence left.
(DE: Two months of Uribe 2: the compass lost (final fragment.) BY Daniel Samper Pizano * cambalache@mail.ddnet.es TIME, Oct. 11, 2006
http://www.eltiempo.com/tiempoimpreso/edicionimpresa/opinion/2006-10-11/ARTICULO-WEB-NOTA_INTERIOR-3280296.html )
And back Katia's words: "The great task henceforth is to measure the great legacy he left behind Arturo Alape ..." .
Sincerely, Gabriel Ruiz / NTC ... / y Blog http://arturoalape.blogspot.com/
--- IN THE DEATH OF MR HANDS OF A WOMAN WHO HAD
the flat. By: Julio Cesar Londoño
El Pais, Cali, October 21, 2006
the flat. By: Julio Cesar Londoño
El Pais, Cali, October 21, 2006
http://www.elpais.com.co/historico/oct212006/OPN/opi2.html Arturo Alape
was a man short, brown hair, thin nose, green eyes and beautiful hands and useless. His fans, who are legion, say I'm wrong, that all blasphemy and upset, that the hands of Alape made history, poetry, journalism, essays, novels, drama and art. And it is true, did everything but everything went wrong. It was our most reputed violentologists, office to which he devoted himself with a relish and a morbidity worthy of best companies. His books, lectures and conversations dripped blood, brains and guts and contained detailed descriptions of massacres, flannel courts, rape and severed phalluses and stuffed into the mouths of the dead. His style was soulless and full of irrelevant digressions and 'seasoned' with a flojísimo humor, as evidenced by Victor Dius Monday in these pages, I guess with the best intentions. Although
Alape owed everything to a picture Tirofijo, as Andres Pastrana, is to clarify that the picture is Alape the 70's, when 'Sureshot' was "a worldwide symbol of resistance against imperialism," while Pastrana is 1998, when Antonio Marulanda was just a bloody narco and belly, an 'don Berna' dirtiest towel.
I met him in a Writers Meeting for Peace held in Caicedonia. The last day, very early on a Sunday, he and I sat down to write Caicedonia Manifesto, a document that would consign our position against the war. Alape was appointed because of who he was and I chose because there was more: the other writers were sleeping in the Babylonian 'bitch' of the previous night.
remember when we met in a school with Tiberio Manuel Bermudez and Pedro Luis Barco, meeting managers and Alape began to dictate to a scribe his manifesto, a detailed relation of the excesses of the Uribe government. Dictated everything was true, but did not mention unbalanced because the excesses of subversion and said in a feeble voice: This seems a statement of the FARC. Man is darkening the bright green eyes and shouted, then come and write your you! I remained silent and quiet, chastened dog, but in the end the document came out more or less neutral, as it should be, and expressly repudiated "the abuses of the civilian population by all the actors in the conflict."
When we put the final point, Alape invited me to lunch. It was another, the angry Mamerto had become friendly telling a reporter that, as a child, Tirofijo panela cheese and sold by the trails of Tolima, which youth learned tangos playing a violin patched and then, when opening roads worked with the Ministry of Public Works, Government engineers taught to handle explosives.
I think the national grief over the death of Alape is a tribute to your kindness more than his talent, the fighter rather than man of letters. He must be under: It is better to be loved than admired, he said. Arturo Alape
was not a poet, but he himself was a poem. ---
was a man short, brown hair, thin nose, green eyes and beautiful hands and useless. His fans, who are legion, say I'm wrong, that all blasphemy and upset, that the hands of Alape made history, poetry, journalism, essays, novels, drama and art. And it is true, did everything but everything went wrong. It was our most reputed violentologists, office to which he devoted himself with a relish and a morbidity worthy of best companies. His books, lectures and conversations dripped blood, brains and guts and contained detailed descriptions of massacres, flannel courts, rape and severed phalluses and stuffed into the mouths of the dead. His style was soulless and full of irrelevant digressions and 'seasoned' with a flojísimo humor, as evidenced by Victor Dius Monday in these pages, I guess with the best intentions. Although
Alape owed everything to a picture Tirofijo, as Andres Pastrana, is to clarify that the picture is Alape the 70's, when 'Sureshot' was "a worldwide symbol of resistance against imperialism," while Pastrana is 1998, when Antonio Marulanda was just a bloody narco and belly, an 'don Berna' dirtiest towel.
I met him in a Writers Meeting for Peace held in Caicedonia. The last day, very early on a Sunday, he and I sat down to write Caicedonia Manifesto, a document that would consign our position against the war. Alape was appointed because of who he was and I chose because there was more: the other writers were sleeping in the Babylonian 'bitch' of the previous night.
remember when we met in a school with Tiberio Manuel Bermudez and Pedro Luis Barco, meeting managers and Alape began to dictate to a scribe his manifesto, a detailed relation of the excesses of the Uribe government. Dictated everything was true, but did not mention unbalanced because the excesses of subversion and said in a feeble voice: This seems a statement of the FARC. Man is darkening the bright green eyes and shouted, then come and write your you! I remained silent and quiet, chastened dog, but in the end the document came out more or less neutral, as it should be, and expressly repudiated "the abuses of the civilian population by all the actors in the conflict."
When we put the final point, Alape invited me to lunch. It was another, the angry Mamerto had become friendly telling a reporter that, as a child, Tirofijo panela cheese and sold by the trails of Tolima, which youth learned tangos playing a violin patched and then, when opening roads worked with the Ministry of Public Works, Government engineers taught to handle explosives.
I think the national grief over the death of Alape is a tribute to your kindness more than his talent, the fighter rather than man of letters. He must be under: It is better to be loved than admired, he said. Arturo Alape
was not a poet, but he himself was a poem. ---
comment will on the website of ElPais to October 25, 2006:
http://www.elpais.com.co/historico/oct212006/OPN/opi2.html
Author : JUAN PANERO / CALI
Alape was embedded in a guerrilla Literaratura, which used to spread the Manifestos of the FARC, with shrapnel disguised as history, fiction or poetry, but since Cervantes separated Learn Language and invented this fictional literature, these poor lambs as Alape could not hide from the eyes seasoned in the arts as his Julio Cesar appreciated. Mr Dius column is an apology to a preacher of violence and a promoter of the class struggle in Colombia with the doctrine that are valid \\ "all forms of struggle \\". IUDs do not deceive us by elegies of poor quality as its columns, on deaths that survive in the history of Colombian Literature.
Author: Griselda / Colombia
Poor
opinion. Alape was a lawyer fighter. He was detained for being a leftist and had to flee abroad, simply for telling the truth. He wrote several books that were translated into French, German and Japanese. Guadalupe coauthored years without Account, theater prize in 1976, Casa de las Americas. He had talent and spirit, there's no doubt, although the columnist doubt it.
Author: gregorio / praga.rep Czech.
\\ "neutral, as it should be \\". Does not clearly express what I feel when a person, talking about situations like our history of violence, think that should be neutral. neutral when discussing the current situation, disregarding any historical context, the error in my view, not allowing a true cure to our pain, of all Colombians. Because this conflict is one reason for its inception, and very specific, it does not take a \\ "Mamerto \\", you only need to be, in the case of a historian, honest analysis. the man who writes, or admired or loved, no compromise is their right, the other man was his duty to commit. have forum is a privilege, not a right!
Author : JUAN PANERO / CALI
Alape was embedded in a guerrilla Literaratura, which used to spread the Manifestos of the FARC, with shrapnel disguised as history, fiction or poetry, but since Cervantes separated Learn Language and invented this fictional literature, these poor lambs as Alape could not hide from the eyes seasoned in the arts as his Julio Cesar appreciated. Mr Dius column is an apology to a preacher of violence and a promoter of the class struggle in Colombia with the doctrine that are valid \\ "all forms of struggle \\". IUDs do not deceive us by elegies of poor quality as its columns, on deaths that survive in the history of Colombian Literature.
Author: Griselda / Colombia
Poor
opinion. Alape was a lawyer fighter. He was detained for being a leftist and had to flee abroad, simply for telling the truth. He wrote several books that were translated into French, German and Japanese. Guadalupe coauthored years without Account, theater prize in 1976, Casa de las Americas. He had talent and spirit, there's no doubt, although the columnist doubt it.
Author: gregorio / praga.rep Czech.
\\ "neutral, as it should be \\". Does not clearly express what I feel when a person, talking about situations like our history of violence, think that should be neutral. neutral when discussing the current situation, disregarding any historical context, the error in my view, not allowing a true cure to our pain, of all Colombians. Because this conflict is one reason for its inception, and very specific, it does not take a \\ "Mamerto \\", you only need to be, in the case of a historian, honest analysis. the man who writes, or admired or loved, no compromise is their right, the other man was his duty to commit. have forum is a privilege, not a right!
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